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Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Acknowledgments vii
- Preface: Why Post-Postmodernism? ix
-
Section 1: Culture and Economics
- 1. Post-Postmodernism. Periodizing the ’80s: The Cultural Logic of Economic Privatization in the US 1
- 2. Intensity. Empire of the Intensities: A Random Walk down Las Vegas Boulevard 25
- 3. Commodity. The Song Remains the Same: On the Post-Postmodern Economics of Classic Rock 43
- 4. University. The Associate Vice Provost in the Gray Flannel Suit: Administrative Labor and the Corporate University 66
-
Section 2: Theory Going Forward
- Interruptive Excursus: Rereading. On the “Hermeneutics of Situation” in Nietzsche and Adorno 87
- 5. Deconstruction. Postdeconstructive? Negri, Derrida, and the Present State of Theory 113
- 6. Interpretation. The Swerve around P: Theory after Interpretation 126
- 7. Literature. Can Literature Be Equipment for Post-Postmodern Living 146
- Coda: Liberal Arts. Not Your Father’s Liberal Arts: or, Humanities Theory in the Post-Post Future 171
- Notes 195
- Works Cited 213
- Index 225
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Acknowledgments vii
- Preface: Why Post-Postmodernism? ix
-
Section 1: Culture and Economics
- 1. Post-Postmodernism. Periodizing the ’80s: The Cultural Logic of Economic Privatization in the US 1
- 2. Intensity. Empire of the Intensities: A Random Walk down Las Vegas Boulevard 25
- 3. Commodity. The Song Remains the Same: On the Post-Postmodern Economics of Classic Rock 43
- 4. University. The Associate Vice Provost in the Gray Flannel Suit: Administrative Labor and the Corporate University 66
-
Section 2: Theory Going Forward
- Interruptive Excursus: Rereading. On the “Hermeneutics of Situation” in Nietzsche and Adorno 87
- 5. Deconstruction. Postdeconstructive? Negri, Derrida, and the Present State of Theory 113
- 6. Interpretation. The Swerve around P: Theory after Interpretation 126
- 7. Literature. Can Literature Be Equipment for Post-Postmodern Living 146
- Coda: Liberal Arts. Not Your Father’s Liberal Arts: or, Humanities Theory in the Post-Post Future 171
- Notes 195
- Works Cited 213
- Index 225