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8. Reconfiguring race, gender, and Chicano/a identity in film
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Chapters in this book
- Frontmatter i
- Contents vii
- Preface ix
- Acknowledgments xix
- Contributors xxi
- Introduction: the alchemy of race in Mexican America 1
- 1. The language, genealogy, and classification of “race” in colonial Mexico 25
- 2. “Dishonor in the hands of Indians, Spaniards, and blacks”: the (racial) politics of painting in early modern Mexico 43
- 3. “That this should be published and again in the age of the enlightenment?” eighteenth-century debates about the Indian body in colonial Mexico 73
- 4. Moctezuma through the centuries 119
- 5. Eugenics and racial classification in modern Mexican America 151
- 6. Hispanic identities in the southwestern united states 174
- 7. Race and erasure: the Hernandez v. Texas case 194
- 8. Reconfiguring race, gender, and Chicano/a identity in film 207
- 9. Pose and poseur: the racial politics of Guillermo Gómez-Peña’s photo-performances 236
- Notes 267
- Index 341
Chapters in this book
- Frontmatter i
- Contents vii
- Preface ix
- Acknowledgments xix
- Contributors xxi
- Introduction: the alchemy of race in Mexican America 1
- 1. The language, genealogy, and classification of “race” in colonial Mexico 25
- 2. “Dishonor in the hands of Indians, Spaniards, and blacks”: the (racial) politics of painting in early modern Mexico 43
- 3. “That this should be published and again in the age of the enlightenment?” eighteenth-century debates about the Indian body in colonial Mexico 73
- 4. Moctezuma through the centuries 119
- 5. Eugenics and racial classification in modern Mexican America 151
- 6. Hispanic identities in the southwestern united states 174
- 7. Race and erasure: the Hernandez v. Texas case 194
- 8. Reconfiguring race, gender, and Chicano/a identity in film 207
- 9. Pose and poseur: the racial politics of Guillermo Gómez-Peña’s photo-performances 236
- Notes 267
- Index 341