Präsentiert durch Paradigm Publishing Services
Stanford University Press
Kapitel
Lizenziert
Nicht lizenziert
Erfordert eine Authentifizierung
5. Eugenics and racial classification in modern Mexican America
Sie haben derzeit keinen Zugang zu diesem Inhalt.
Sie haben derzeit keinen Zugang zu diesem Inhalt.
Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Preface ix
- Acknowledgments xix
- Contributors xxi
- Introduction: the alchemy of race in Mexican America 1
- 1. The language, genealogy, and classification of “race” in colonial Mexico 25
- 2. “Dishonor in the hands of Indians, Spaniards, and blacks”: the (racial) politics of painting in early modern Mexico 43
- 3. “That this should be published and again in the age of the enlightenment?” eighteenth-century debates about the Indian body in colonial Mexico 73
- 4. Moctezuma through the centuries 119
- 5. Eugenics and racial classification in modern Mexican America 151
- 6. Hispanic identities in the southwestern united states 174
- 7. Race and erasure: the Hernandez v. Texas case 194
- 8. Reconfiguring race, gender, and Chicano/a identity in film 207
- 9. Pose and poseur: the racial politics of Guillermo Gómez-Peña’s photo-performances 236
- Notes 267
- Index 341
Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Preface ix
- Acknowledgments xix
- Contributors xxi
- Introduction: the alchemy of race in Mexican America 1
- 1. The language, genealogy, and classification of “race” in colonial Mexico 25
- 2. “Dishonor in the hands of Indians, Spaniards, and blacks”: the (racial) politics of painting in early modern Mexico 43
- 3. “That this should be published and again in the age of the enlightenment?” eighteenth-century debates about the Indian body in colonial Mexico 73
- 4. Moctezuma through the centuries 119
- 5. Eugenics and racial classification in modern Mexican America 151
- 6. Hispanic identities in the southwestern united states 174
- 7. Race and erasure: the Hernandez v. Texas case 194
- 8. Reconfiguring race, gender, and Chicano/a identity in film 207
- 9. Pose and poseur: the racial politics of Guillermo Gómez-Peña’s photo-performances 236
- Notes 267
- Index 341