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4 The Cinema of Infidelity: Gender, Geography, Economics, and Fantasy
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Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Table and Figures vii
- Acknowledgments ix
- 1 Worlds in Fragments: Culture and the Market Under Postsocialist Modernity 1
- 2 Ideologies of Popular Culture: The "Humanist Spirit" Debate 25
- 3 Adaptations and Ruptures: Literature in the New Culture Industry 59
- 4 The Cinema of Infidelity: Gender, Geography, Economics, and Fantasy 95
- 5 "Independent" Cinema: From Postsocialist Realism to a Transnational Aesthetic 129
- 6 New Year's Films: Chinese Entertainment Cinema in a Globalized Cultural Market 165
- 7 Conclusion: Postsocialist Modernity's Futures 203
- Notes 229
- Works Cited 273
- List of Chinese Characters 289
- Index 293
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Table and Figures vii
- Acknowledgments ix
- 1 Worlds in Fragments: Culture and the Market Under Postsocialist Modernity 1
- 2 Ideologies of Popular Culture: The "Humanist Spirit" Debate 25
- 3 Adaptations and Ruptures: Literature in the New Culture Industry 59
- 4 The Cinema of Infidelity: Gender, Geography, Economics, and Fantasy 95
- 5 "Independent" Cinema: From Postsocialist Realism to a Transnational Aesthetic 129
- 6 New Year's Films: Chinese Entertainment Cinema in a Globalized Cultural Market 165
- 7 Conclusion: Postsocialist Modernity's Futures 203
- Notes 229
- Works Cited 273
- List of Chinese Characters 289
- Index 293