Presented to you through Paradigm Publishing Services
Suny Press
Chapter
Licensed
Unlicensed
Requires Authentication
Chapter Six Intertextuality and Poststructural Realism in Margaret Atwood’s Alias Grace and Charlotte Perkins Gilman’s “The Yellow Wallpaper
You are currently not able to access this content.
You are currently not able to access this content.
Chapters in this book
- Front Matter i
- Contents vii
- Acknowledgments ix
- Introduction 1
- Reading the Unconscious in le Slie Marmon Silko’s Almanac of the Dead 25
- Freud and Feminism in Gayl Jones’s Corregido ra and Dorothy Allison’s Bastard out of Carolina 39
- Hysteria and Trauma in Pauline Hopkins’s Of One Blood; Or, The Hidden Self 57
- Postmodern Realism, Truth, and Lies in Joyce Carol Oates’s What I Lived For 75
- Intertextuality and Poststructural Realism in Margaret Atwood’s Alias Grace and Charlotte Perkins Gilman’s “The Yellow Wallpaper 99
- Conclusion 131
- Notes 135
- Works Cited 153
- Index 165
Chapters in this book
- Front Matter i
- Contents vii
- Acknowledgments ix
- Introduction 1
- Reading the Unconscious in le Slie Marmon Silko’s Almanac of the Dead 25
- Freud and Feminism in Gayl Jones’s Corregido ra and Dorothy Allison’s Bastard out of Carolina 39
- Hysteria and Trauma in Pauline Hopkins’s Of One Blood; Or, The Hidden Self 57
- Postmodern Realism, Truth, and Lies in Joyce Carol Oates’s What I Lived For 75
- Intertextuality and Poststructural Realism in Margaret Atwood’s Alias Grace and Charlotte Perkins Gilman’s “The Yellow Wallpaper 99
- Conclusion 131
- Notes 135
- Works Cited 153
- Index 165