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Conclusion: Clarissa Dalloway and Modern Female Visuality in England
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Daryl Ogden
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Chapters in this book
- Front Matter ii
- Contents vii
- Illustrations ix
- Acknowledgments xi
- Introduction: A Feminine Language of the Eyes? 1
- The Conduct of the Eyes: Feminine Discourses of Vision in Eighteenth-Century England 21
- Ocular Reproduction, Sexual Difference, and Romantic Vision 73
- The Descent of Sexual Selection: Evolution and the Politics of Female Vision in Victorian England 117
- Sigmund Freud, Virginia Woolf, and the Modernist Female Spectator 179
- Conclusion: Clarissa Dalloway and Modern Female Visuality in England 203
- Notes 211
- Bibliography 245
- Index 263
Chapters in this book
- Front Matter ii
- Contents vii
- Illustrations ix
- Acknowledgments xi
- Introduction: A Feminine Language of the Eyes? 1
- The Conduct of the Eyes: Feminine Discourses of Vision in Eighteenth-Century England 21
- Ocular Reproduction, Sexual Difference, and Romantic Vision 73
- The Descent of Sexual Selection: Evolution and the Politics of Female Vision in Victorian England 117
- Sigmund Freud, Virginia Woolf, and the Modernist Female Spectator 179
- Conclusion: Clarissa Dalloway and Modern Female Visuality in England 203
- Notes 211
- Bibliography 245
- Index 263
