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Chapter One Introduction: The Case
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Chapters in this book
- Front Matter i
- Contents v
- Illustrations vii
- Acknowledgments ix
-
The Crime Lab Theorizing Masculinity and the Detective Genre
- Introduction: The Case 3
- The Myths of Masculinity 27
-
Investigating Masculinity The 1940s and the 1980s
- Investigating National Heroes: British Sleuths and American Dicks 55
- Investigating Crisis: Neo-Noir Heroes and Femmes Fatales 95
- Investigating Crisis: The Spectacle of “Musculinity” 125
-
Investigating The Crime Scene The 1990s and 2000s
- Investigating the Hero: The Criminalist 157
- Investigating the “Other”: Race and the Detective 189
- Investigating the “Other”: Women and Youth 217
- Investigating the “Other”: The Cult of Villainy 253
- End of the Investigation: Case Closed 283
- Notes 287
- Selected Filmography 301
- Works Cited 317
- Index 337
Chapters in this book
- Front Matter i
- Contents v
- Illustrations vii
- Acknowledgments ix
-
The Crime Lab Theorizing Masculinity and the Detective Genre
- Introduction: The Case 3
- The Myths of Masculinity 27
-
Investigating Masculinity The 1940s and the 1980s
- Investigating National Heroes: British Sleuths and American Dicks 55
- Investigating Crisis: Neo-Noir Heroes and Femmes Fatales 95
- Investigating Crisis: The Spectacle of “Musculinity” 125
-
Investigating The Crime Scene The 1990s and 2000s
- Investigating the Hero: The Criminalist 157
- Investigating the “Other”: Race and the Detective 189
- Investigating the “Other”: Women and Youth 217
- Investigating the “Other”: The Cult of Villainy 253
- End of the Investigation: Case Closed 283
- Notes 287
- Selected Filmography 301
- Works Cited 317
- Index 337