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6 Forgetting to Remember, Remembering to Forget
The Politics of Memory and Modernity in the Fractured Films of Lee Chang-dongm and Hong Sang-soo
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Chapters in this book
- Front Matter i
- Contents vii
- Illustrations ix
- Acknowledgments xiii
- Introduction 1
-
Industry Trends and Popular Genres
- Korean Cinema after Liberation 15
- Christmas in August and Korean Melodrama 37
- Storming the Big Screen 55
- Timeless, Bottomless Bad Movies 73
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Directing New Korean Cinema
- Scream and Scream Again 99
- Forgetting to Remember, Remembering to Forget 115
- Reflexivity and Identity Crisis in Park Chul-soo’s Farewell, My Darling 141
- Nowhere to Hide 157
- Closing The Circle 175
-
Narratives of the National
- Waiting to Exhale 191
- Crossing the Border to the “Other” Side 219
- Race, Gender, and Postcolonial Identity in Kim Ki-duk’s Address Unknown 243
- Transgressing Boundaries 265
- Taking the Plunge 283
- Contributors 299
- Index 303
Chapters in this book
- Front Matter i
- Contents vii
- Illustrations ix
- Acknowledgments xiii
- Introduction 1
-
Industry Trends and Popular Genres
- Korean Cinema after Liberation 15
- Christmas in August and Korean Melodrama 37
- Storming the Big Screen 55
- Timeless, Bottomless Bad Movies 73
-
Directing New Korean Cinema
- Scream and Scream Again 99
- Forgetting to Remember, Remembering to Forget 115
- Reflexivity and Identity Crisis in Park Chul-soo’s Farewell, My Darling 141
- Nowhere to Hide 157
- Closing The Circle 175
-
Narratives of the National
- Waiting to Exhale 191
- Crossing the Border to the “Other” Side 219
- Race, Gender, and Postcolonial Identity in Kim Ki-duk’s Address Unknown 243
- Transgressing Boundaries 265
- Taking the Plunge 283
- Contributors 299
- Index 303