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Leo Tolstoy: Art as Expression

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Twentieth Century Theories of Art
Ein Kapitel aus dem Buch Twentieth Century Theories of Art
© Carleton University Press Inc.

© Carleton University Press Inc.

Kapitel in diesem Buch

  1. Front Matter i
  2. Contents vi
  3. Preface viii
  4. Introduction x
  5. Acknowledgements xii
  6. The Expression Theory: Art and Feeling
  7. Leo Tolstoy: Art as Expression 3
  8. R.G. Collingwood: Art as Expression 18
  9. Notes 54
  10. Suggestions for further reading 56
  11. Formalism
  12. An Essay in Aesthetics 60
  13. Pure and Impure Art 73
  14. The Aesthetic Hypothesis 79
  15. Modernist Painting 94
  16. The state of Art Criticism 102
  17. Notes 118
  18. Suggestions for further reading 119
  19. The Psychological Approach
  20. The Relation of the Poet to Daydreaming 124
  21. Phantasy-making and Art 132
  22. Symbolism in Dreams 134
  23. On the Relation of Analytical Psychology to Poetry 151
  24. Balance 168
  25. Notes 201
  26. Suggestions for further reading 202
  27. The Sociological Approach
  28. The Materialist Interpretation of History 209
  29. Material Production and Artistic Production 210
  30. Alienated Labour 212
  31. The Sociological Method in Art History 214
  32. Art History and Class Struggle 239
  33. Art and Society 256
  34. On The Social History of Art 266
  35. Notes 279
  36. Suggestions for further reading 281
  37. Semiotics and Structuralism
  38. The Symbolic Function 289
  39. Panofsky's Iconography and Iconology 297
  40. General Principles of Linguistics 300
  41. Structural Analysis in linguistics and Anthropology 310
  42. The Structural Analysis of Painting and Music 323
  43. The Logic of Myth and Brico/age 334
  44. Elements of Semiology 336
  45. Myth Today 357
  46. Notes 366
  47. Suggestions for further reading 369
  48. Existentialism and Phenomenology
  49. The Origin of the Work of Art 374
  50. Eye and Mind 415
  51. Notes 425
  52. Suggestions for further reading 427
  53. Poststructuralism
  54. Motherhood according to Giovanni Bellini 441
  55. Differance 467
  56. Writing as Différance 470
  57. Dissemination 476
  58. Notes 490
  59. Suggestions for further reading 499
  60. The Analytical/Linguistic Approach
  61. The Role of Theory in Aesthetics 505
  62. The Role of Canons in Criticism 517
  63. Propositions in Paintings 522
  64. The Artworld 531
  65. Notes 545
  66. Suggestions for further reading 546
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