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Writing as Différance
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Chapters in this book
- Front Matter i
- Contents vi
- Preface viii
- Introduction x
- Acknowledgements xii
-
The Expression Theory: Art and Feeling
- Leo Tolstoy: Art as Expression 3
- R.G. Collingwood: Art as Expression 18
- Notes 54
- Suggestions for further reading 56
-
Formalism
- An Essay in Aesthetics 60
- Pure and Impure Art 73
- The Aesthetic Hypothesis 79
- Modernist Painting 94
- The state of Art Criticism 102
- Notes 118
- Suggestions for further reading 119
-
The Psychological Approach
- The Relation of the Poet to Daydreaming 124
- Phantasy-making and Art 132
- Symbolism in Dreams 134
- On the Relation of Analytical Psychology to Poetry 151
- Balance 168
- Notes 201
- Suggestions for further reading 202
-
The Sociological Approach
- The Materialist Interpretation of History 209
- Material Production and Artistic Production 210
- Alienated Labour 212
- The Sociological Method in Art History 214
- Art History and Class Struggle 239
- Art and Society 256
- On The Social History of Art 266
- Notes 279
- Suggestions for further reading 281
-
Semiotics and Structuralism
- The Symbolic Function 289
- Panofsky's Iconography and Iconology 297
- General Principles of Linguistics 300
- Structural Analysis in linguistics and Anthropology 310
- The Structural Analysis of Painting and Music 323
- The Logic of Myth and Brico/age 334
- Elements of Semiology 336
- Myth Today 357
- Notes 366
- Suggestions for further reading 369
-
Existentialism and Phenomenology
- The Origin of the Work of Art 374
- Eye and Mind 415
- Notes 425
- Suggestions for further reading 427
-
Poststructuralism
- Motherhood according to Giovanni Bellini 441
- Differance 467
- Writing as Différance 470
- Dissemination 476
- Notes 490
- Suggestions for further reading 499
-
The Analytical/Linguistic Approach
- The Role of Theory in Aesthetics 505
- The Role of Canons in Criticism 517
- Propositions in Paintings 522
- The Artworld 531
- Notes 545
- Suggestions for further reading 546
Chapters in this book
- Front Matter i
- Contents vi
- Preface viii
- Introduction x
- Acknowledgements xii
-
The Expression Theory: Art and Feeling
- Leo Tolstoy: Art as Expression 3
- R.G. Collingwood: Art as Expression 18
- Notes 54
- Suggestions for further reading 56
-
Formalism
- An Essay in Aesthetics 60
- Pure and Impure Art 73
- The Aesthetic Hypothesis 79
- Modernist Painting 94
- The state of Art Criticism 102
- Notes 118
- Suggestions for further reading 119
-
The Psychological Approach
- The Relation of the Poet to Daydreaming 124
- Phantasy-making and Art 132
- Symbolism in Dreams 134
- On the Relation of Analytical Psychology to Poetry 151
- Balance 168
- Notes 201
- Suggestions for further reading 202
-
The Sociological Approach
- The Materialist Interpretation of History 209
- Material Production and Artistic Production 210
- Alienated Labour 212
- The Sociological Method in Art History 214
- Art History and Class Struggle 239
- Art and Society 256
- On The Social History of Art 266
- Notes 279
- Suggestions for further reading 281
-
Semiotics and Structuralism
- The Symbolic Function 289
- Panofsky's Iconography and Iconology 297
- General Principles of Linguistics 300
- Structural Analysis in linguistics and Anthropology 310
- The Structural Analysis of Painting and Music 323
- The Logic of Myth and Brico/age 334
- Elements of Semiology 336
- Myth Today 357
- Notes 366
- Suggestions for further reading 369
-
Existentialism and Phenomenology
- The Origin of the Work of Art 374
- Eye and Mind 415
- Notes 425
- Suggestions for further reading 427
-
Poststructuralism
- Motherhood according to Giovanni Bellini 441
- Differance 467
- Writing as Différance 470
- Dissemination 476
- Notes 490
- Suggestions for further reading 499
-
The Analytical/Linguistic Approach
- The Role of Theory in Aesthetics 505
- The Role of Canons in Criticism 517
- Propositions in Paintings 522
- The Artworld 531
- Notes 545
- Suggestions for further reading 546