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Conclusion What, or who, is Jane Austen?
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Chapters in this book
- Front Matter i
- Contents v
- Acknowledgments vii
- Preface ix
- Introduction 3
-
“Some truths not told”: The Story of the “Other” Heroine
- Sense and Sensibility 27
- “Exactly the something which her home required”: The “unmerited punishment” of Harriet Smith in Emma 38
- “A corrupted, vitiated mind”: The Decline of Mary Crawford in Mansfield Park 47
- “You are never sure of a good impression being durable”: The Fall of Louisa Musgrove in Persuasion 55
- “An itch for acting”: Playing with Polyphony in Mansfield Park 59
-
“Their fates, their fortunes, cannot be the same”: Cameo Appearances
- “Surely this comparison must have its use”: The “very strong resemblance” in Sense and Sensibility 70
- “My expressions startle you”: An “injured, angry woman” in Persuasion 76
- “We must forget it”: “The unhappy truth” in Pride and Prejudice 85
-
“Grievous imprisonment of body and mind”: Investigating Crimes
- “No tread of violence was ever heard”: Silent Suffering in Mansfield Park 95
- “Unnatural and overdrawn”: “Alarming violence” in Northanger Abbey 116
- “This ill-used girl, this heroine of distress”: The “Diabolical scheme” in Lady Susan 127
- What, or who, is Jane Austen? 133
- Afterword 139
- Bibliography 143
- Index 155
Chapters in this book
- Front Matter i
- Contents v
- Acknowledgments vii
- Preface ix
- Introduction 3
-
“Some truths not told”: The Story of the “Other” Heroine
- Sense and Sensibility 27
- “Exactly the something which her home required”: The “unmerited punishment” of Harriet Smith in Emma 38
- “A corrupted, vitiated mind”: The Decline of Mary Crawford in Mansfield Park 47
- “You are never sure of a good impression being durable”: The Fall of Louisa Musgrove in Persuasion 55
- “An itch for acting”: Playing with Polyphony in Mansfield Park 59
-
“Their fates, their fortunes, cannot be the same”: Cameo Appearances
- “Surely this comparison must have its use”: The “very strong resemblance” in Sense and Sensibility 70
- “My expressions startle you”: An “injured, angry woman” in Persuasion 76
- “We must forget it”: “The unhappy truth” in Pride and Prejudice 85
-
“Grievous imprisonment of body and mind”: Investigating Crimes
- “No tread of violence was ever heard”: Silent Suffering in Mansfield Park 95
- “Unnatural and overdrawn”: “Alarming violence” in Northanger Abbey 116
- “This ill-used girl, this heroine of distress”: The “Diabolical scheme” in Lady Susan 127
- What, or who, is Jane Austen? 133
- Afterword 139
- Bibliography 143
- Index 155