Mcgill-queen's University Press
General Consent in Jane Austen
About this book
Reviews
"A new and illuminating approach to Austen's novels. Barbara Seeber offers a way of reconciling the two opposing schools of Austen criticism - the traditional reading of Austen as a tough-minded conservative and the more recent interpretation of her as an implicit feminist. Seeber's work is pointed, vivid, and eloquent." Bruce Stovel, Department of English, University of Alberta
"Barbara Seeber's thoughtful adaptations of Bakhtin and Althusser afford a model for the successful integration of theoretical and practical critical responses. She offers a corrective to many of the polarized views of Austen and successfully demonstrates the potential for the kinds of genuinely innovative interpretations enabled by dialogical criticism." April London, Department of English, University of Ottawa
Topics
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Front Matter
i -
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Contents
v -
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Acknowledgments
vii -
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Preface
ix -
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Introduction
3 - “Some truths not told”: The Story of the “Other” Heroine
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Sense and Sensibility
27 -
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“Exactly the something which her home required”: The “unmerited punishment” of Harriet Smith in Emma
38 -
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“A corrupted, vitiated mind”: The Decline of Mary Crawford in Mansfield Park
47 -
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“You are never sure of a good impression being durable”: The Fall of Louisa Musgrove in Persuasion
55 -
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“An itch for acting”: Playing with Polyphony in Mansfield Park
59 - “Their fates, their fortunes, cannot be the same”: Cameo Appearances
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“Surely this comparison must have its use”: The “very strong resemblance” in Sense and Sensibility
70 -
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“My expressions startle you”: An “injured, angry woman” in Persuasion
76 -
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“We must forget it”: “The unhappy truth” in Pride and Prejudice
85 - “Grievous imprisonment of body and mind”: Investigating Crimes
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“No tread of violence was ever heard”: Silent Suffering in Mansfield Park
95 -
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“Unnatural and overdrawn”: “Alarming violence” in Northanger Abbey
116 -
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“This ill-used girl, this heroine of distress”: The “Diabolical scheme” in Lady Susan
127 -
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What, or who, is Jane Austen?
133 -
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Afterword
139 -
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Bibliography
143 -
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Index
155