Chapters in this book

1. Frontmatter i
2. Contents iii
3. Acknowledgements v
4. Introduction 1
5. 1. ‘Sex ferocity’ and ‘the sadic lusts of certain novelists’: Sexuality, Sadomasochism, and Suppression in Parade’s End 17
6. 2. Freud Madox Ford: Impressionism, Psychoanalytic Trauma Theory, and Ford’s Wartime Writing 35
7. 3. Empathy, Trauma, and the Space of War in Parade’s End 50
8. 4. Fellow Feeling in Ford’s Last Post: Modernist Empathy and the Eighteenth-Century Man 63
9. 5. The Self-Analysis of Christopher Tietjens 77
10. 6. Composing the War and the Mind; Composing Parade’s 92
11. 7. The Work of Sleep: Insomnia and Discipline in Ford and Sassoon 112
12. 8. Representing Shell Shock: A Return to Ford and Rebecca West 127
13. 9. ‘I hate soldiering’: Ford, May Sinclair, and War Heroism 142
14. 10. Peace of Mind in Parade’s End 159
15. Notes on Contributors 171
16. Bibliography 175
17. Index 184