Chapter
Publicly Available
Contents
-
Anne Witchard
Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgements vii
- List of Plates viii
- List of Figures ix
- Introduction: ‘the lucid atmosphere of fine Cathay’ 1
- Chapter 1 China and the Formation of the Modernist Aesthetic Ideal 18
- Chapter 2 Shared Affinities: Katherine Mansfield, Ling Shuhua and Virginia Woolf 37
- Chapter 3 Roger Fry, Chinese Art and The Burlington Magazine 53
- Chapter 4 Chinese Artistic Influences on the Vorticists in London 72
- Chapter 5 The Idea of the Chinese Garden and British Aesthetic Modernism 91
- Chapter 6 ‘Beautiful, baleful absurdity’: Chinoiserie and Modernist Ballet 108
- Chapter 7 Fashion, Chinoiserie and Modernism 133
- Chapter 8 The Oriental and the Music Hall: Sound and Space in Thomas Burke’s Limehouse Chinatown 156
- Chapter 9 Staging China, Excising the Chinese: Lady Precious Stream and the Darker Side of Chinoiserie 177
- Chapter 10 Chinoiserie: An Unrequited Architectural Affair 199
- Notes on Contributors 228
- Index 231
Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgements vii
- List of Plates viii
- List of Figures ix
- Introduction: ‘the lucid atmosphere of fine Cathay’ 1
- Chapter 1 China and the Formation of the Modernist Aesthetic Ideal 18
- Chapter 2 Shared Affinities: Katherine Mansfield, Ling Shuhua and Virginia Woolf 37
- Chapter 3 Roger Fry, Chinese Art and The Burlington Magazine 53
- Chapter 4 Chinese Artistic Influences on the Vorticists in London 72
- Chapter 5 The Idea of the Chinese Garden and British Aesthetic Modernism 91
- Chapter 6 ‘Beautiful, baleful absurdity’: Chinoiserie and Modernist Ballet 108
- Chapter 7 Fashion, Chinoiserie and Modernism 133
- Chapter 8 The Oriental and the Music Hall: Sound and Space in Thomas Burke’s Limehouse Chinatown 156
- Chapter 9 Staging China, Excising the Chinese: Lady Precious Stream and the Darker Side of Chinoiserie 177
- Chapter 10 Chinoiserie: An Unrequited Architectural Affair 199
- Notes on Contributors 228
- Index 231