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3. JAPANESE HORROR CINEMA
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Adam Bingham
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Chapters in this book
- Frontmatter i
- CONTENTS v
- ACKNOWLEDGEMENTS vi
- ILLUSTRATIONS vii
- NOTE AND GLOSSARY ix
- TRADITIONS IN WORLD CINEMA xi
- INTRODUCTION: WHY 1997 AND HANA-BI? 1
- 1. JIDAI-GEKI AND CHAMBARA: THE SAMURAI ONSCREEN 13
- 2. YAKUZA CINEMA 39
- 3. JAPANESE HORROR CINEMA 63
- 4. THE CHANGING JAPANESE FAMILY ON FILM 95
- 5. POSTMODERNISM AND MAGIC REALISM IN CONTEMPORARY JAPANESE CINEMA 120
- 6. JAPANESE DOCUMENTARY CINEMA: REALITY AND ITS DISCONTENTS 144
- 7. MODERN JAPANESE FEMALE DIRECTORS 171
- BIBLIOGRAPHY 203
- SELECT FILMOGRAPHY 214
- INDEX 220
Chapters in this book
- Frontmatter i
- CONTENTS v
- ACKNOWLEDGEMENTS vi
- ILLUSTRATIONS vii
- NOTE AND GLOSSARY ix
- TRADITIONS IN WORLD CINEMA xi
- INTRODUCTION: WHY 1997 AND HANA-BI? 1
- 1. JIDAI-GEKI AND CHAMBARA: THE SAMURAI ONSCREEN 13
- 2. YAKUZA CINEMA 39
- 3. JAPANESE HORROR CINEMA 63
- 4. THE CHANGING JAPANESE FAMILY ON FILM 95
- 5. POSTMODERNISM AND MAGIC REALISM IN CONTEMPORARY JAPANESE CINEMA 120
- 6. JAPANESE DOCUMENTARY CINEMA: REALITY AND ITS DISCONTENTS 144
- 7. MODERN JAPANESE FEMALE DIRECTORS 171
- BIBLIOGRAPHY 203
- SELECT FILMOGRAPHY 214
- INDEX 220