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10 Denise Riley, ‘Lyric Selves’
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Chapters in this book
- Frontmatter i
- Contents v
- Illustrations vi
- Acknowledgements vii
- A Note on the Texts x
- Introduction 1
- 1 Roland Barthes, from A Lover’s Discourse: Fragments 48
- 2 ‘Where are we going? And What Are We Doing?’ 63
- 3. Anne Carson, ‘Every Exit Is an Entrance (A Praise of Sleep)’ 82
- 4 Hélène Cixous, ‘Without end, no, State of drawingness, no, rather: The Executioner’s taking off’ 103
- 5 Jacques Derrida, ‘Aphorism Countertime’ 116
- 6 Geoff Dyer, from Out of Sheer Rage: In the Shadow of D. H. Lawrence 133
- 7 Benjamin Friedlander, ‘Gertrude Stein: A Retrospective Criticism’ 160
- 8 Peter Gizzi, ‘Correspondences of the Book’ 176
- 9 Kevin Kopelson, ‘Music Lessons’ 186
- 10 Denise Riley, ‘Lyric Selves’ 205
- 11 Eve Kosofsky Sedgwick, ‘Jane Austen and the Masturbating Girl’ 226
- 12 Ali Smith, ‘Green’ 249
- 13 John Wilkinson, ‘Imperfect Pitch’ 257
- 14 Sarah Wood, ‘Anew Again’ 277
- Index 293
Chapters in this book
- Frontmatter i
- Contents v
- Illustrations vi
- Acknowledgements vii
- A Note on the Texts x
- Introduction 1
- 1 Roland Barthes, from A Lover’s Discourse: Fragments 48
- 2 ‘Where are we going? And What Are We Doing?’ 63
- 3. Anne Carson, ‘Every Exit Is an Entrance (A Praise of Sleep)’ 82
- 4 Hélène Cixous, ‘Without end, no, State of drawingness, no, rather: The Executioner’s taking off’ 103
- 5 Jacques Derrida, ‘Aphorism Countertime’ 116
- 6 Geoff Dyer, from Out of Sheer Rage: In the Shadow of D. H. Lawrence 133
- 7 Benjamin Friedlander, ‘Gertrude Stein: A Retrospective Criticism’ 160
- 8 Peter Gizzi, ‘Correspondences of the Book’ 176
- 9 Kevin Kopelson, ‘Music Lessons’ 186
- 10 Denise Riley, ‘Lyric Selves’ 205
- 11 Eve Kosofsky Sedgwick, ‘Jane Austen and the Masturbating Girl’ 226
- 12 Ali Smith, ‘Green’ 249
- 13 John Wilkinson, ‘Imperfect Pitch’ 257
- 14 Sarah Wood, ‘Anew Again’ 277
- Index 293