Chapters in this book

1. Frontmatter i
2. Contents v
3. List of Illustrations vii
4. Notes on Contributors ix
5. Introduction: Art’s Philosophy – Bergson and Immanence 1
6. Part I: Bergson, Art, History
7. 1. Bergson, History and Ontology 17
8. 2. Art History, Immanently 32
9. 3. Art History, Less Its Conditions of Possibility: Following Bergson’s ‘Le Possible et le réel’ 47
10. 4. Matisse, Bergson, Oiticica, etc. 63
11. 5. Bergson Before Deleuze: How to Read Informel Painting 80
12. 6. Revolutionary Immanence: Bergson Among the Anarchists 94
13. Part II: Unconditional Practice
14. 7. The Matter of the Image: Notes on Practice-Philosophy 115
15. 8. Pasearse: Duration and the Act of Photographing 131
16. 9. Duration and Rhetorical Movement 148
17. 10. A Diagram of the Finite-Infinite Relation: Towards a Bergsonian Production of Subjectivity 165
18. Part III: Immanence of the Visible
19. 11. Painting the Invisible: Time, Matter and the Image in Bergson and Michel Henry 189
20. 12. ‘For We Will Have Shown it Nothing’: Bergson as Non- Philosopher (of) Art 206
21. 13. The Untimeliness of Bergson’s Metaphysics: Reading Diffractively 232
22. 14. Hyperaesthesia and the Virtual 247
23. Afterword: An Art Historical Return to Bergson 260
24. Index 272