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Index
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Chapters in this book
- Frontmatter i
- The Menu iii
- A Note of Thanks v
- The Guest List vi
- Introduction: A Welcome from the Host 1
- 1. ‘The dinner was indeed quiet’: Domestic Parties in the Work of Joseph Conrad 25
- 2. Prufrock, Party-Goer: Tongue-Tied at Tea 45
- 3. Party Joyce: From the ‘Dead’ to When We ‘Wake’ 64
- 4. ‘Looking at the party with you’: Pivotal Moments in Katherine Mansfi eld’s Party Stories 79
- 5. Virginia Woolf’s Idea of a Party 95
- 6. Proustian Peristalsis: Parties Before, During and After 112
- 7. ‘Ezra through the open door’: The Parties of Natalie Barney, Adrienne Monnier and Sylvia Beach as Lesbian Modernist Cultural Production 127
- 8. ‘Indeed everybody did come’: Parties, Publicity and Intimacy in Gertrude Stein’s Plays 147
- 9. The Interracial Party of Modernist Primitivism and the Black ‘After-Party’ 164
- 10 The Party In Extremis in D. H. Lawrence’s Women in Love 178
- 11. Bohemian Retrospects: Ford Madox Ford, Post-War Memory and the Cabaret Theatre Club 192
- 12. ‘Pleasure too often repeated’: Aldous Huxley’s Modernity 210
- Index 228
Chapters in this book
- Frontmatter i
- The Menu iii
- A Note of Thanks v
- The Guest List vi
- Introduction: A Welcome from the Host 1
- 1. ‘The dinner was indeed quiet’: Domestic Parties in the Work of Joseph Conrad 25
- 2. Prufrock, Party-Goer: Tongue-Tied at Tea 45
- 3. Party Joyce: From the ‘Dead’ to When We ‘Wake’ 64
- 4. ‘Looking at the party with you’: Pivotal Moments in Katherine Mansfi eld’s Party Stories 79
- 5. Virginia Woolf’s Idea of a Party 95
- 6. Proustian Peristalsis: Parties Before, During and After 112
- 7. ‘Ezra through the open door’: The Parties of Natalie Barney, Adrienne Monnier and Sylvia Beach as Lesbian Modernist Cultural Production 127
- 8. ‘Indeed everybody did come’: Parties, Publicity and Intimacy in Gertrude Stein’s Plays 147
- 9. The Interracial Party of Modernist Primitivism and the Black ‘After-Party’ 164
- 10 The Party In Extremis in D. H. Lawrence’s Women in Love 178
- 11. Bohemian Retrospects: Ford Madox Ford, Post-War Memory and the Cabaret Theatre Club 192
- 12. ‘Pleasure too often repeated’: Aldous Huxley’s Modernity 210
- Index 228