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CHAPTER TEN Robert Burns and Romanticism in Britain and Ireland
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Nigel Leask
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Chapters in this book
- Frontmatter i
- Contents v
- Series Editors’ Preface viii
- INTRODUCTION What is Scottish Romanticism? 1
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SECTION I The Scottish Public Sphere: Themes, Groups and Identities
- CHAPTER ONE Ballads and Chapbooks 13
- CHAPTER TWO Romantic Macpherson 27
- CHAPTER THREE Scottish Song, Lyric Poetry and the Romantic Composer 39
- CHAPTER FOUR Gaelic Literature and Scottish Romanticism 49
- CHAPTER FIVE Travel Writing and the Picturesque 61
- CHAPTER SIX Urban Space and Enlightened Romanticism 72
- CHAPTER SEVEN Periodicals and Public Culture 84
- CHAPTER EIGHT The Scottish National Tale 100
- CHAPTER NINE Religion and Scottish Romanticism 112
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SECTION II Authors and Texts
- CHAPTER TEN Robert Burns and Romanticism in Britain and Ireland 127
- CHAPTER ELEVEN Walter Scott’s Romanticism: A Theory of Performance 139
- CHAPTER TWELVE Byron 150
- CHAPTER THIRTEEN John Galt’s Fictional and Performative Worlds 166
- CHAPTER FOURTEEN The Private Memoirs and Confessions of a Justified Sinner 178
- CHAPTER FIFTEEN The Function of Linguistic Variety in Walter Scott’s The Heart of Midlothian 190
- Endnotes 202
- Further Reading 238
- Notes on Contributors 243
- Index 246
Chapters in this book
- Frontmatter i
- Contents v
- Series Editors’ Preface viii
- INTRODUCTION What is Scottish Romanticism? 1
-
SECTION I The Scottish Public Sphere: Themes, Groups and Identities
- CHAPTER ONE Ballads and Chapbooks 13
- CHAPTER TWO Romantic Macpherson 27
- CHAPTER THREE Scottish Song, Lyric Poetry and the Romantic Composer 39
- CHAPTER FOUR Gaelic Literature and Scottish Romanticism 49
- CHAPTER FIVE Travel Writing and the Picturesque 61
- CHAPTER SIX Urban Space and Enlightened Romanticism 72
- CHAPTER SEVEN Periodicals and Public Culture 84
- CHAPTER EIGHT The Scottish National Tale 100
- CHAPTER NINE Religion and Scottish Romanticism 112
-
SECTION II Authors and Texts
- CHAPTER TEN Robert Burns and Romanticism in Britain and Ireland 127
- CHAPTER ELEVEN Walter Scott’s Romanticism: A Theory of Performance 139
- CHAPTER TWELVE Byron 150
- CHAPTER THIRTEEN John Galt’s Fictional and Performative Worlds 166
- CHAPTER FOURTEEN The Private Memoirs and Confessions of a Justified Sinner 178
- CHAPTER FIFTEEN The Function of Linguistic Variety in Walter Scott’s The Heart of Midlothian 190
- Endnotes 202
- Further Reading 238
- Notes on Contributors 243
- Index 246