Home Literary Studies 26 Re-imagining the City: End of the Century Cultural Signs in the Novels of McIlvanney, Banks, Gray, Welsh, Kelman, Owens and Rankin
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26 Re-imagining the City: End of the Century Cultural Signs in the Novels of McIlvanney, Banks, Gray, Welsh, Kelman, Owens and Rankin

  • Marie Odile Pittin-Hédon
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© 2022, Edinburgh University Press, Edinburgh

© 2022, Edinburgh University Press, Edinburgh

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Preface viii
  4. 1 Changing Cultures: The History of Scotland since 1918 1
  5. 2 Notes on a Small Country: Scotland’s Geography since 1918 11
  6. 3 Resistance to Monolinguality: The Languages of Scotland since 1918 21
  7. 4 The International Reception and Literary Impact of Scottish Literature of the Period since 1918 31
  8. 5 The Criticism of Scottish Literature: Tradition, Decline and Renovation 42
  9. 6 Literature and the Screen Media since 1908 53
  10. 7 Material Culture in Modern Scotland 64
  11. 8 Sir James Frazer and Marian McNeill 69
  12. 9 Hugh MacDiarmid 75
  13. 10 Edwin and Willa Muir: Scottish, European and Gender Journeys, 1918–69 84
  14. 11 ‘To Get Leave to Live’: Negotiating Regional Identity in the Literature of North-East Scotland 95
  15. 12 Disorientation of Place, Time and ‘Scottishness’: Conan Doyle, Linklater, Gunn, Mackay Brown and Elphinstone 106
  16. 13 Past and Present: Modern Scottish Historical Fiction 114
  17. 14 Tradition and Modernity: Gaelic Bards in the Twentieth Century 130
  18. 15 Theatres, Writers and Society: Structures and Infrastructures of Theatre Provision in Twentieth- Century Scotland 142
  19. 16 Cultural Catalysts: Sorley MacLean and George Campbell Hay 151
  20. 17 Living with the Double Tongue: Modern Poetry in Scots 163
  21. 18 Monsters and Goddesses: Culture Re-energised in the Poetry of Ruaraidh MacThòmais and Aonghas MacNeacail 176
  22. 19 Old Country, New Dreams: Scottish Poetry since the 1970s 185
  23. 20 The Lost Boys and Girls of Scottish Children’s Fiction 198
  24. 21 The Human and Textual Condition: Muriel Spark’s Narratives 207
  25. 22 From Carswell to Kay: Aspects of Gender, the Novel and the Drama 214
  26. 23 The Autobiography in Scottish Gaelic 225
  27. 24 Varieties of Voice and Changing Contexts: Robin Jenkins and Janice Galloway 231
  28. 25 Breaking Boundaries: From Modern to Contemporary in Scottish Fiction 237
  29. 26 Re-imagining the City: End of the Century Cultural Signs in the Novels of McIlvanney, Banks, Gray, Welsh, Kelman, Owens and Rankin 253
  30. 27 The Border Crossers and Reconfiguration of the Possible: Poet-Playwright-Novelists from the Mid-Twentieth Century on 262
  31. 28 In the Shadow of the Bard: The Gaelic Short Story, Novel and Drama since the early Twentieth Century 273
  32. 29 Staging the Nation: Multiplicity and Cultural Diversity in Contemporary Scottish Theatre 283
  33. 30 Varieties of Gender Politics, Sexuality and Thematic Innovation in Late Twentieth-Century Drama 295
  34. 31 The Diaspora and its Writers 304
  35. 32 New Diversity, Hybridity and Scottishness 320
  36. Notes on Contributors – Volume Three 332
  37. Index 337
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