The Edinburgh History of Scottish Literature
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Ian Brown
, Thomas Clancy , Susan Manning and Murray Pittock
About this book
In almost a century since the First World War ended, Scotland has been transformed in many rich ways. Its literature has been an essential part of that transformation. The third volume of the History explores the vibrancy of modern Scottish literature in all its forms and languages. Giving full credit to writing in Gaelic and by the Scottish diaspora, it brings together the best contemporary critical insights from three continents. It provides an accessible and refreshing picture of both the varieties of Scottish literatures and the kaleidoscopic versions of Scotland that mark literary developments since 1918.
Other volumes in the History
The Edinburgh History of Scottish Literature, Volume 1: From Columba to the Union (until 1707)
Key Features
- Original - presents new approaches to what is literature and what is Scottishness
- Inclusive - Gaelic and diasporic writing, Latin writing, theological writing, legal writing, and context chapters
- Comprehensive - provides the fullest coverage of Scottish literature ever and the first survey for almost 20 years
- Distinguished contributors from many countries
- Influences the agenda for critical debate on Scottish writing in the twenty-first century
Topics
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Frontmatter
i -
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Contents
v -
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Preface
viii -
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1 Changing Cultures: The History of Scotland since 1918
1 -
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2 Notes on a Small Country: Scotland’s Geography since 1918
11 -
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3 Resistance to Monolinguality: The Languages of Scotland since 1918
21 -
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4 The International Reception and Literary Impact of Scottish Literature of the Period since 1918
31 -
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5 The Criticism of Scottish Literature: Tradition, Decline and Renovation
42 -
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6 Literature and the Screen Media since 1908
53 -
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7 Material Culture in Modern Scotland
64 -
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8 Sir James Frazer and Marian McNeill
69 -
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9 Hugh MacDiarmid
75 -
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10 Edwin and Willa Muir: Scottish, European and Gender Journeys, 1918–69
84 -
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11 ‘To Get Leave to Live’: Negotiating Regional Identity in the Literature of North-East Scotland
95 -
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12 Disorientation of Place, Time and ‘Scottishness’: Conan Doyle, Linklater, Gunn, Mackay Brown and Elphinstone
106 -
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13 Past and Present: Modern Scottish Historical Fiction
114 -
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14 Tradition and Modernity: Gaelic Bards in the Twentieth Century
130 -
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15 Theatres, Writers and Society: Structures and Infrastructures of Theatre Provision in Twentieth- Century Scotland
142 -
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16 Cultural Catalysts: Sorley MacLean and George Campbell Hay
151 -
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17 Living with the Double Tongue: Modern Poetry in Scots
163 -
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18 Monsters and Goddesses: Culture Re-energised in the Poetry of Ruaraidh MacThòmais and Aonghas MacNeacail
176 -
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19 Old Country, New Dreams: Scottish Poetry since the 1970s
185 -
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20 The Lost Boys and Girls of Scottish Children’s Fiction
198 -
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21 The Human and Textual Condition: Muriel Spark’s Narratives
207 -
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22 From Carswell to Kay: Aspects of Gender, the Novel and the Drama
214 -
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23 The Autobiography in Scottish Gaelic
225 -
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24 Varieties of Voice and Changing Contexts: Robin Jenkins and Janice Galloway
231 -
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25 Breaking Boundaries: From Modern to Contemporary in Scottish Fiction
237 -
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26 Re-imagining the City: End of the Century Cultural Signs in the Novels of McIlvanney, Banks, Gray, Welsh, Kelman, Owens and Rankin
253 -
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27 The Border Crossers and Reconfiguration of the Possible: Poet-Playwright-Novelists from the Mid-Twentieth Century on
262 -
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28 In the Shadow of the Bard: The Gaelic Short Story, Novel and Drama since the early Twentieth Century
273 -
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29 Staging the Nation: Multiplicity and Cultural Diversity in Contemporary Scottish Theatre
283 -
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30 Varieties of Gender Politics, Sexuality and Thematic Innovation in Late Twentieth-Century Drama
295 -
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31 The Diaspora and its Writers
304 -
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32 New Diversity, Hybridity and Scottishness
320 -
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Notes on Contributors – Volume Three
332 -
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Index
337