Afterword

Kapitel in diesem Buch

1. Frontmatter i
2. Contents v
3. Acknowledgements vii
4. Series Editor’s Introduction ix
5. Introduction: ‘But we didn’t know that then’ 1
6. 1. Memory in Theory 11
7. 2. Present Imperfect Translation: Ronald Fraser’s In Search o f a Past and Carolyn Steedman’s Landscape fo r a Good Woman 33
8. 3. ‘A life entire’: Narrative Reconstruction in Sylvia Fraser’s My Father's House and Margaret Atwood’s Cat's Eye 61
9. 4. Myths of Origin: Identity, Memory and Detection in Barbara Vine’s A Dark Adapted Eye and Asta's Book 93
10. 5. Holocaust, Memory, Representation: Georges Perec’s W or The Memory o f Childhood and Anne Michaels’ Fugitive Pieces 119
11. 6. Rememory and Reconstruction: Toni Morrison’s Beloved 150
12. Afterword 175
13. Bibliography 182
14. Index 194