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6. Rememory and Reconstruction: Toni Morrison’s Beloved
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Nicola King
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Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Acknowledgements vii
- Series Editor’s Introduction ix
- Introduction: ‘But we didn’t know that then’ 1
- 1. Memory in Theory 11
- 2. Present Imperfect Translation: Ronald Fraser’s In Search o f a Past and Carolyn Steedman’s Landscape fo r a Good Woman 33
- 3. ‘A life entire’: Narrative Reconstruction in Sylvia Fraser’s My Father's House and Margaret Atwood’s Cat's Eye 61
- 4. Myths of Origin: Identity, Memory and Detection in Barbara Vine’s A Dark Adapted Eye and Asta's Book 93
- 5. Holocaust, Memory, Representation: Georges Perec’s W or The Memory o f Childhood and Anne Michaels’ Fugitive Pieces 119
- 6. Rememory and Reconstruction: Toni Morrison’s Beloved 150
- Afterword 175
- Bibliography 182
- Index 194
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Acknowledgements vii
- Series Editor’s Introduction ix
- Introduction: ‘But we didn’t know that then’ 1
- 1. Memory in Theory 11
- 2. Present Imperfect Translation: Ronald Fraser’s In Search o f a Past and Carolyn Steedman’s Landscape fo r a Good Woman 33
- 3. ‘A life entire’: Narrative Reconstruction in Sylvia Fraser’s My Father's House and Margaret Atwood’s Cat's Eye 61
- 4. Myths of Origin: Identity, Memory and Detection in Barbara Vine’s A Dark Adapted Eye and Asta's Book 93
- 5. Holocaust, Memory, Representation: Georges Perec’s W or The Memory o f Childhood and Anne Michaels’ Fugitive Pieces 119
- 6. Rememory and Reconstruction: Toni Morrison’s Beloved 150
- Afterword 175
- Bibliography 182
- Index 194
