Kapitel in diesem Buch

1. Frontmatter i
2. CONTENTS v
3. INTRODUCTION
4. DA VINCI : NEW, IMPROVED, REANIMATED 1
5. SALVATOR MUNDI 9
6. Chapter 1 DA VINCI WOR LDS
7. MILAN: THE LAST SUPPER AND ITS LEFTOVERS 23
8. PARIS : A TOO-FAMOUS PORTRAIT AND AN IDENTITY PERENNIALLY IN CRISIS 33
9. GIOCONDA LAB: “SECRETS” OF A FLORENTINE WIFE 37
10. SELL THE MONA LISA! 48
11. PERMANENT BLOCKBUSTER : THE MUSEUM AS SPECTACLE 54
12. MANAGING DA VINCI WORLDS : CONSERVATORS, SCIENTISTS, ENTREPRENEURS 59
13. THE ART MARKET AND THE DA VINCI SUPPLY LINE 65
14. Chapter 2 “NOW UNMADE BY TIME . . .”
15. “AHEAD OF HIS TIME” 81
16. IN HIS OWN WORDS 84
17. EYEWITNESSES AND EARLY BIOGRAPHIES 90
18. LEONARDO PERSONAE AND THE RHETORIC OF EXPERIENCE 102
19. LIFE IN THE SHATTERZONE 109
20. SEXUAL “SECRETS” 112
21. LEONARDO AND GOD 119
22. HUMANISM, HUMANS, AND NONHUMANITY 125
23. Chapter 3 LEONARDO AND THE BIOGRAPHERS
24. “ THESE ARE GODS, BUT SICK” 133
25. LEONARDO BIOGRAPHIES : THE INDUSTRY 145
26. Chapter 4 THE SHAPE OF PREMODERN LIVES
27. LEONARDO’S ABSENT BODY 174
28. LEONARDO AND THE ANTIPICTORIAL TRADITION 177
29. LEONARDO AS LITERATURE 190
30. THE PAGE AS BODY 198
31. Chapter 5 LEONARDO, EXTENDED
32. LEONARDESCHI 225
33. PAINTING AS ATMOSPHERE 229
34. TRANSREGIONAL LEONARDO 239
35. CONCLUSION 255
36. ACKNOWLEDGMENTS 263
37. NOTES 265
38. BIBLIOGRAPHY 287
39. INDEX 297
40. ILLUSTRATION CREDITS 309