Kapitel
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PREFACE
-
Jonathan Brown
Kapitel in diesem Buch
- Frontmatter C
- PREFACE vii
- CONTENTS ix
- LIST OF ILLUSTRATIONS x
- PHOTOGRAPH CREDITS xi
- INTRODUCTION: OBSERVATIONS ON THE HISTORIOGRAPHY OF SEVENTEENTH-CENTURY SPANISH PAINTING 3
-
PART I: THEORY AND ART IN THE ACADEMY OF FRANCISCO PACHECO
- 1. A Community of Scholars 21
- 2. El Arte de la Pintura as an Academic Document 44
- 3. Theory into Practice: The Arts and the Academy 63
-
PART II: PAINTERS AND PROGRAMS
- 4. On the Meaning of Las Meninas 87
- 5. Zurbaran's Paintings in the Sacristy of the Monastery of Guadalupe 111
- 6. Hieroglyphs of Death and Salvation: The Decoration of the Church of the Hermandad de la Caridad, Seville 128
- EPILOGUE 147
- BIBLIOGRAPHY 149
- INDEX 161
Kapitel in diesem Buch
- Frontmatter C
- PREFACE vii
- CONTENTS ix
- LIST OF ILLUSTRATIONS x
- PHOTOGRAPH CREDITS xi
- INTRODUCTION: OBSERVATIONS ON THE HISTORIOGRAPHY OF SEVENTEENTH-CENTURY SPANISH PAINTING 3
-
PART I: THEORY AND ART IN THE ACADEMY OF FRANCISCO PACHECO
- 1. A Community of Scholars 21
- 2. El Arte de la Pintura as an Academic Document 44
- 3. Theory into Practice: The Arts and the Academy 63
-
PART II: PAINTERS AND PROGRAMS
- 4. On the Meaning of Las Meninas 87
- 5. Zurbaran's Paintings in the Sacristy of the Monastery of Guadalupe 111
- 6. Hieroglyphs of Death and Salvation: The Decoration of the Church of the Hermandad de la Caridad, Seville 128
- EPILOGUE 147
- BIBLIOGRAPHY 149
- INDEX 161