Kapitel in diesem Buch

1. Frontmatter i
2. Contents ix
3. Acknowledgments xi
4. Note on Translations and Transliterations xv
5. Introduction. Proem to Indigenista Photography xvii
6. Part One: Histories and Practice
7. Chapter One. An Empire of Photographs: Abdullah Frères and the Osmanlilik Ideology 1
8. Chapter Two. The Arab Imago: Jurji Saboungi and the Nahdah Image-Screen 27
9. Chapter Three. The Carte de Visite: The Sociability of New Men and Women 53
10. Chapter Four. Writing Photography: Technomateriality and the Verum Factum 75
11. Part Two: Case Studies and Theory
12. Chapter Five. Portrait Paths: The Sociability of the Photographic Portrait 103
13. Chapter Six. Stabilizing Portraits, Stabilizing Modernity 121
14. Chapter Seven. The Latent and the Afterimage 141
15. Chapter Eight. The Mirror of Two Sanctuaries and Three Photographers 163
16. Epilogue: On the Cusp of Arab Ottoman Photography 193
17. Notes 204
18. Index 218
19. Illustration Credits 221