Chapter
Publicly Available
Acknowledgments
-
Frederick Neumann
Chapters in this book
- Frontmatter i
- Contents vii
- Preface ix
- Acknowledgments xi
- List of Abbreviations xiii
-
PART I : THEORNAMENTS
- Introduction 3
- 1. The Vorschlag: Types, Terms, Symbols, Sources 6
- 2. The Vocal Appoggiatura 16
- 3. The Instrumental Appoggiatura 31
- 4. The Grace Note 42
- 5. Ambiguities and Special Cases 76
- 6. The Zwischenschlag 90
- 7. The Slide 97
- 8. The Trill: Theory 104
- 9. The Trill: Practice 113
- 10. The Turn 136
- 11. The Arpeggio 165
-
PART II : IMPROVISATIONS
- Introduction 179
- 12. The Appoggiatura in Recitative 184
- 13. The Appoggiatura in Closed Numbers 204
- 14. Vocal Cadenzas (Fermata Embellishments) 216
- 15. Diminutions in Arias 230
- 16. The Special Case of the Piano Concertos 240
- 17. Instrumental Cadenzas 257
- 18. Eingange 264
- 19. Embellishments in Repeats 275
- Appendix 282
- Bibliography of Works Cited 289
- Index 293
Chapters in this book
- Frontmatter i
- Contents vii
- Preface ix
- Acknowledgments xi
- List of Abbreviations xiii
-
PART I : THEORNAMENTS
- Introduction 3
- 1. The Vorschlag: Types, Terms, Symbols, Sources 6
- 2. The Vocal Appoggiatura 16
- 3. The Instrumental Appoggiatura 31
- 4. The Grace Note 42
- 5. Ambiguities and Special Cases 76
- 6. The Zwischenschlag 90
- 7. The Slide 97
- 8. The Trill: Theory 104
- 9. The Trill: Practice 113
- 10. The Turn 136
- 11. The Arpeggio 165
-
PART II : IMPROVISATIONS
- Introduction 179
- 12. The Appoggiatura in Recitative 184
- 13. The Appoggiatura in Closed Numbers 204
- 14. Vocal Cadenzas (Fermata Embellishments) 216
- 15. Diminutions in Arias 230
- 16. The Special Case of the Piano Concertos 240
- 17. Instrumental Cadenzas 257
- 18. Eingange 264
- 19. Embellishments in Repeats 275
- Appendix 282
- Bibliography of Works Cited 289
- Index 293