Kapitel in diesem Buch

1. Frontmatter i
2. CONTENTS ix
3. PREFACE xi
4. Introduction: My Wonderful World; or, Dismembering the Triad 1
5. PART ONE. Not by Mind?
6. 1. Non-Nationalists, and Other Nationalists 33
7. 2. Revenants 52
8. 3. Crowd, Mob, and Nation in Boris Godunov: What Did Musorgsky Th ink, and Does It Matter? 58
9. 4. Catching Up with Rimsky-Korsakov 78
10. 5. Not Modern and Loving It 120
11. 6. Written for Elephants: Notes on Rach 3 134
12. 7. Is There a “Russia Abroad” in Music? 140
13. 8. Turania Revisited, with Lourié My Guide 162
14. 9. The Ghetto and the Imperium 233
15. 10. Two Serendipities: Keynoting a Conference, “Music and Power” 303
16. 11. What’s an Awful Song Like You Doing in a Nice Piece Like This? The Finale in Prokofieff ’s Symphony- Concerto, Op. 125 332
17. 12. The Birth of Contemporary Russia out of the Spirit of Music (Not) 348
18. PART TWO. Revisiting Stravinsky
19. 13. Just How Russian Was Stravinsky? 361
20. 14. How The Rite Became Possible 366
21. 15. Diaghilev without Stravinsky? Stravinsky without Diaghilev? 384
22. 16. Resisting The Rite 395
23. 17. Stravinsky’s Poetics and Russian Music 428
24. 18. Did He Mean It? 472
25. 19. In Stravinsky’s Songs, the True Man, No Ghostwriters 503
26. 20. “Un Cadeau Très Macabre” 508
27. INDEX 525