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Chapters in this book
- Frontmatter i
- CONTENTS vii
- ALWAYS BECOMING ix
- ACKNOWLEDGMENTS xi
- INTRODUCTION 1
-
PART I Complicating Histories: Curating across Disciplinary Boundaries
- 1 Collaborative Methodologies for an Expanded American Art 27
- 2 A Site of Struggle, a Methodology of Accord 50
- 3 Generative Collaboration 71
-
PART II Reframing Collection Practices and Care
- 4 Reflection and Representation 95
- 5 Recontextualizing and Reckoning Historic American Art 117
- 6 Feke’s Kincemoss / Collaboratively Rewriting a Colonial Painting 133
-
PART III Interrupting Colonial Structures
- 7 “Guess Who’s Coming to Dinner?” / The Aesthetic and Curatorial Politics of Invitation and Interruption in Imperial Museums 149
- 8 Imagining Otherwise 168
- 9 Braiding, Stitching, Sweeping: Black Feminist Domesticity and Art History 191
- 10 Tyrus Wong’s Asian Americana 207
- Conclusion 230
- List of Contributors 233
- Index 239
Chapters in this book
- Frontmatter i
- CONTENTS vii
- ALWAYS BECOMING ix
- ACKNOWLEDGMENTS xi
- INTRODUCTION 1
-
PART I Complicating Histories: Curating across Disciplinary Boundaries
- 1 Collaborative Methodologies for an Expanded American Art 27
- 2 A Site of Struggle, a Methodology of Accord 50
- 3 Generative Collaboration 71
-
PART II Reframing Collection Practices and Care
- 4 Reflection and Representation 95
- 5 Recontextualizing and Reckoning Historic American Art 117
- 6 Feke’s Kincemoss / Collaboratively Rewriting a Colonial Painting 133
-
PART III Interrupting Colonial Structures
- 7 “Guess Who’s Coming to Dinner?” / The Aesthetic and Curatorial Politics of Invitation and Interruption in Imperial Museums 149
- 8 Imagining Otherwise 168
- 9 Braiding, Stitching, Sweeping: Black Feminist Domesticity and Art History 191
- 10 Tyrus Wong’s Asian Americana 207
- Conclusion 230
- List of Contributors 233
- Index 239