Chapters in this book

1. Frontmatter i
2. Contents v
3. Acknowledgments vii
4. Note on Naming and Orthography ix
5. Introduction: Visuality, Temporality, Geography 1
6. 1. Targeting the Pacific: World War II in Asian American and Pacific Islander Art 13
7. Part I: Remembering Originary Moments: Trinity, Hiroshima, Nagasaki
8. 2. Security And Sacrifice: Nuclear Tourism in New Mexico 51
9. 3. A People’s Atlas of Nuclear Colorado: Art and Activism in the Digital Space 72
10. 4. Atoms for Life and for Death: Nuclear Energy and Hiroshima Activism in the 1950s 79
11. 5. The Politics of Antimonumentalism: An Exhibit in Five Cities 97
12. 6. The Antimonument Research Collective 117
13. 7. Creating the Atomic Sublime: The Perpetual Production of Nuclear In/Security 125
14. Part II: Legacies of the Bikini Test
15. 8. Resisting US Nuclear Tests: The UN Petition from the Marshall Islands 147
16. 9. Arts Education and the Nuclear Legacy in the Marshall Islands 166
17. 10. Nuclear Temples 178
18. 11. Housewives Petitioning for World Peace: Ban-the-Bomb Activism in Cold War Japan 198
19. 12. Voices of Deep-Sea Tuna Fishermen in the Japanese Anti–Nuclear Test Movement 217
20. Part III: Transpacific Activisms
21. 13. A Long Road to Disability Compensation in Cold War America 237
22. 14. Barbara Reynolds and the Politics of Transnational Antinuclear Activism 254
23. 15. An Interview with Artist Will Wilson 275
24. 16. Food Cultivation as Artistic Activism after Nuclear Disaster 281
25. Contributors 301
26. Index 307