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4 The Deliberate Forgery, the Accidental Fake, the Visual Fiction, and the Replica
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Janet Catherine Berlo
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Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Foreword vii
- Acknowledgments xi
- Introduction: Of “Santa Fakes” and Other Illusions xv
- 1 Authenticity and Its Discontents: What Is “Real” Native American Art? 1
- 2 Cultural Cross-Dressers: A Long History of Imitating Indians 57
- 3 Replication and Reproduction on the Great Plains of Nostalgia 98
- 4 The Deliberate Forgery, the Accidental Fake, the Visual Fiction, and the Replica 127
- 5 Cross-Cultural Replication and Native Revitalization: Techniques of Remembering 171
- Conclusion: Vexed Identities and the “Destruction of Mimicry” in the Twenty-First Century 215
- Notes 237
- Bibliography 287
- Index 321
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Foreword vii
- Acknowledgments xi
- Introduction: Of “Santa Fakes” and Other Illusions xv
- 1 Authenticity and Its Discontents: What Is “Real” Native American Art? 1
- 2 Cultural Cross-Dressers: A Long History of Imitating Indians 57
- 3 Replication and Reproduction on the Great Plains of Nostalgia 98
- 4 The Deliberate Forgery, the Accidental Fake, the Visual Fiction, and the Replica 127
- 5 Cross-Cultural Replication and Native Revitalization: Techniques of Remembering 171
- Conclusion: Vexed Identities and the “Destruction of Mimicry” in the Twenty-First Century 215
- Notes 237
- Bibliography 287
- Index 321
