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8 Subverting Patriarchy in Art Museums: Strategies for the Anti-Oppressive Art Museum Educator
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Kapitel in diesem Buch
- Frontmatter i
- Content Warning v
- Contents vii
- List of Illustrations x
- Acknowledgments xiii
- Introduction: Gender Violence and Art History 1
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Part 1: Reckoning with Violence in the Canon: Pedagogical and Art-Historical Approaches
- Introduction 25
- 1 Women and Violence in Ancient Greek Art: Subverting the Dominant Narrative 27
- 2 Invisible Casualties: Gender Violence in Assyrian Relief Sculptures 39
- 3 An Unmentionable History: The Stigma of Sodomy and Images of Violence Toward Queer and Trans Peoples in Premodern Europe 50
- 4 Breaking the Silence: Depictions of Gender-Based Violence and Sexual Violation in Italian Renaissance and Baroque Art 62
- 5 Teaching About Gendered and Racialized Violence in Colonial Mexican Art: The Case of Malintzin and Other Challenges 74
- 6 Sexing the Canvas: The Rape Narrative of the Black Female Body in Western History Paintings 87
- 7 Cultivating a Humanizing Gaze: Viewership, Consumption, and Complicity in Art and Film After #MeToo 98
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Part 2: Transformational Curatorial Practices: Shifting Educational Practices in Public Spaces
- Introduction 111
- 8 Subverting Patriarchy in Art Museums: Strategies for the Anti-Oppressive Art Museum Educator 113
- 9 Why It’s Impossible to Separate the Art from the Artist: An Educator’s Experience with Gauguin and Picasso 126
- 10 To Censor or to Teach: Educational Reflections on a Foundational Exhibition 138
- 11 An Overwhelming Response: Gender-Based Violence and Contemporary Feminist Art 150
- 12 Bring Her Home: Awareness, Advocacy, Resistance, and Healing 161
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Part 3: Art and/as Advocacy
- Introduction 173
- 13 Gender Violence, Censorship, and Erasure: A Conversation with Ria Brodell About Contemporary Art, Practice, and Pedagogy 175
- 14 Amio: Gender-Based Violence in Contemporary Bangladeshi Art 187
- 15 Anti-Rape and Anti-Incest Counternarratives: Art in the United States Since the 1960s and in the Wake of the #MeToo Movement 201
- 16 Considering Unseen Violence: Zanele Muholi’s Faces and Phases 211
- Conclusion: Moving Forward—A New Era in Art History 223
- Resource Appendix 229
- List of Contributors 237
- Index 243
Kapitel in diesem Buch
- Frontmatter i
- Content Warning v
- Contents vii
- List of Illustrations x
- Acknowledgments xiii
- Introduction: Gender Violence and Art History 1
-
Part 1: Reckoning with Violence in the Canon: Pedagogical and Art-Historical Approaches
- Introduction 25
- 1 Women and Violence in Ancient Greek Art: Subverting the Dominant Narrative 27
- 2 Invisible Casualties: Gender Violence in Assyrian Relief Sculptures 39
- 3 An Unmentionable History: The Stigma of Sodomy and Images of Violence Toward Queer and Trans Peoples in Premodern Europe 50
- 4 Breaking the Silence: Depictions of Gender-Based Violence and Sexual Violation in Italian Renaissance and Baroque Art 62
- 5 Teaching About Gendered and Racialized Violence in Colonial Mexican Art: The Case of Malintzin and Other Challenges 74
- 6 Sexing the Canvas: The Rape Narrative of the Black Female Body in Western History Paintings 87
- 7 Cultivating a Humanizing Gaze: Viewership, Consumption, and Complicity in Art and Film After #MeToo 98
-
Part 2: Transformational Curatorial Practices: Shifting Educational Practices in Public Spaces
- Introduction 111
- 8 Subverting Patriarchy in Art Museums: Strategies for the Anti-Oppressive Art Museum Educator 113
- 9 Why It’s Impossible to Separate the Art from the Artist: An Educator’s Experience with Gauguin and Picasso 126
- 10 To Censor or to Teach: Educational Reflections on a Foundational Exhibition 138
- 11 An Overwhelming Response: Gender-Based Violence and Contemporary Feminist Art 150
- 12 Bring Her Home: Awareness, Advocacy, Resistance, and Healing 161
-
Part 3: Art and/as Advocacy
- Introduction 173
- 13 Gender Violence, Censorship, and Erasure: A Conversation with Ria Brodell About Contemporary Art, Practice, and Pedagogy 175
- 14 Amio: Gender-Based Violence in Contemporary Bangladeshi Art 187
- 15 Anti-Rape and Anti-Incest Counternarratives: Art in the United States Since the 1960s and in the Wake of the #MeToo Movement 201
- 16 Considering Unseen Violence: Zanele Muholi’s Faces and Phases 211
- Conclusion: Moving Forward—A New Era in Art History 223
- Resource Appendix 229
- List of Contributors 237
- Index 243