Kapitel in diesem Buch

1. Frontmatter i
2. CONTENTS vii
3. Series Preface ix
4. Introductions
5. First Introduction: Starting Points 1
6. Second Introduction: Affect, Agency, and Aporia: An Indiscipline with Endemic Ambivalences and a Lack of Pictures 10
7. Third Introduction: Visual Studies, or, This is Not a Diagram 20
8. The Seminars
9. Introduction 25
10. 1 Histories: Visuelle Kultur 31
11. 2 Histories: Anglo- American Visual Studies, 1989–1999 43
12. 3 Histories: 2000–2010 57
13. 4 Histories: The Present Decade 67
14. 5 Histories: Bildwissenschaft 81
15. 6 Image, Meaning, and Power 99
16. 7 A General Theory of Visual Culture 109
17. 8 The Political 119
18. 9 Science Studies 133
19. 10 The Place of the Image 143
20. 11 Envoi 153
21. Assessments
22. Preface 161
23. Captured by the discourse 166
24. Visual studies: A surrealist moment 170
25. “A culture medium” 174
26. Don`t explain visual studies 177
27. Visual studies: Moving beyond “Visual“ 179
28. Aesthetic objects, reconsidered 181
29. From image to visibility 184
30. Visual studies and/as art history 185
31. Should we have known our place after 187
32. Did someone say architecture? Or, take my discipline, please! 190
33. Mathematics and the visual 194
34. Response, farewell to visual studies 198
35. Responses 200
36. Farewell to a history without the past 204
37. Ambivalences visual culture studies and thhe Frankfurt school 207
38. Episodes of failure? Or, some remarks on the institutional history of photography and its relevance to a genealogy of visuelle kultur 210
39. Farewell to visual studies - Welcome to phenomenology! 214
40. Failure? Farewell? Destruction! A short reflection on visual studies, or visual studies contra Bildwissenschaft 215
41. Image-ability another reading of Bildgeschichte 218
42. Thoughts on visuelle kultur 222
43. Farewell to visual studies-comment 225
44. Farewell versus now 228
45. “I don’t know why you say goodbye, I say hello” (On taking both the visual and the political seriously) 230
46. Response: Farewell to visual studies 234
47. Chinese visual studies 238
48. The Latin American divide 241
49. Topological thought anachronism and discontinuity in visual studies 246
50. “I don`t know why you say goodbye, I say hello” 249
51. Farewell to visual studies? 252
52. “If there`s a ping, there has to be a pong” 255
53. Notes on the Contributors 259
54. Index 267