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9. Making Fujoshi Identity Visible And Invisible
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Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgments vii
- Editors’ Note On Translation ix
- Introduction xi
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Part I. Culture And Discourse
- 1. Why Study Train Otaku? A Social History Of Imagination 3
- 2. Database Animals 30
- 3. Japan’s Cynical Nationalism 68
- 4. Strategies Of Engagement: Discovering, Defining, And Describing Otaku Culture In The United States 85
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Part II. Infrastructure And Place
- 5. Comic Market As Space For Self- Expression In Otaku Culture 107
- 6. Otaku And The City: The Rebirth Of Akihabara 133
- 7. Anime And Manga Fandom As Networked Culture 158
- 8. Contributors Versus Leechers: Fansubbing Ethics And A Hybrid Public Culture 179
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Part III. Community And Identity
- 9. Making Fujoshi Identity Visible And Invisible 207
- 10. Cosplay, Learning, And Cultural Practice 225
- 11. The Fighting Gamer Otaku Community: What Are They “Fighting” About? 249
- 12. “As Long As It’S Not Linkin Park Z ”: Popularity, Distinction, And Status In The AMV Subculture 275
- Contributors 299
- Index 301
Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgments vii
- Editors’ Note On Translation ix
- Introduction xi
-
Part I. Culture And Discourse
- 1. Why Study Train Otaku? A Social History Of Imagination 3
- 2. Database Animals 30
- 3. Japan’s Cynical Nationalism 68
- 4. Strategies Of Engagement: Discovering, Defining, And Describing Otaku Culture In The United States 85
-
Part II. Infrastructure And Place
- 5. Comic Market As Space For Self- Expression In Otaku Culture 107
- 6. Otaku And The City: The Rebirth Of Akihabara 133
- 7. Anime And Manga Fandom As Networked Culture 158
- 8. Contributors Versus Leechers: Fansubbing Ethics And A Hybrid Public Culture 179
-
Part III. Community And Identity
- 9. Making Fujoshi Identity Visible And Invisible 207
- 10. Cosplay, Learning, And Cultural Practice 225
- 11. The Fighting Gamer Otaku Community: What Are They “Fighting” About? 249
- 12. “As Long As It’S Not Linkin Park Z ”: Popularity, Distinction, And Status In The AMV Subculture 275
- Contributors 299
- Index 301