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7. Gongorismo and Dramatic Practice after Lope
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María Cristina Quintero
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Chapters in this book
- Prelim pages i
- Table of Contents vii
- Preface ix
- Acknowledgments xvii
- 1. The Comedia Nueva and Poetic Practice in the Golden Age 1
- 2. Theatricality and Dramatic Attitude in Renaissance and Baroque Poetry 19
- 3. Lope and Góngora Revisited 47
- 4. Góngora and the Comedia (Part I): Lasfirmezas de Isabela: Transforming the Model 81
- 5. Góngora and the Comedia (Part II): Parody as Performance in El doctor Canino 129
- 6. The Critique of Góngora and Culteranismo in Lope's Comedias 149
- 7. Gongorismo and Dramatic Practice after Lope 187
- Notes 223
- Works Consulted 237
- Index 253
Chapters in this book
- Prelim pages i
- Table of Contents vii
- Preface ix
- Acknowledgments xvii
- 1. The Comedia Nueva and Poetic Practice in the Golden Age 1
- 2. Theatricality and Dramatic Attitude in Renaissance and Baroque Poetry 19
- 3. Lope and Góngora Revisited 47
- 4. Góngora and the Comedia (Part I): Lasfirmezas de Isabela: Transforming the Model 81
- 5. Góngora and the Comedia (Part II): Parody as Performance in El doctor Canino 129
- 6. The Critique of Góngora and Culteranismo in Lope's Comedias 149
- 7. Gongorismo and Dramatic Practice after Lope 187
- Notes 223
- Works Consulted 237
- Index 253