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Poetry as Play
'Gongorismo' and the 'Comedia.'
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María Cristina Quintero
Language:
English
Published/Copyright:
1991
About this book
During the Golden Age, poetry and drama entered into a dynamic intertextual and intergeneric exchange. The Comedia appropriated the different poetic currents prevalent during the Renaissance and also often enacted the controversies surrounding poetic language. Of particular interest is the influence of gongorismo on the comedia. Luis de Góngora himself experimented with dramatic form in his two little-known plays, Las firmezas de Isabela and El doctor Carlino. In his quest for effective dramatic language, Lope de Vega dramatized Gongorine language through both parody and respectful imitation. Calderón de la Barca, whose plays represent the culmination of Góngora's influence on Golden Age theater, transformed gongorismo into a rich, performative code that functions simultaneously as poetic discourse and dramatic convention.
Topics
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Prelim pages
i -
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Table of Contents
vii -
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Preface
ix -
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Acknowledgments
xvii -
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1. The Comedia Nueva and Poetic Practice in the Golden Age
1 -
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2. Theatricality and Dramatic Attitude in Renaissance and Baroque Poetry
19 -
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3. Lope and Góngora Revisited
47 -
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4. Góngora and the Comedia (Part I): Lasfirmezas de Isabela: Transforming the Model
81 -
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5. Góngora and the Comedia (Part II): Parody as Performance in El doctor Canino
129 -
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6. The Critique of Góngora and Culteranismo in Lope's Comedias
149 -
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7. Gongorismo and Dramatic Practice after Lope
187 -
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Notes
223 -
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Works Consulted
237 -
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Index
253
Publishing information
Pages and Images/Illustrations in book
eBook published on:
November 21, 2011
eBook ISBN:
9789027277732
Pages and Images/Illustrations in book
Main content:
260
eBook ISBN:
9789027277732
Keywords for this book
Romance literature & literary studies
Audience(s) for this book
Professional and scholarly;