Chapter 4. Adaptation as city branding

Kapitel in diesem Buch

1. Prelim pages i
2. Table of contents vii
3. List of figures xi
4. Series editor’s preface xiii
5. Contributors xv
6. Introduction: Where is adaptation? 1
7. Part I. Adaptation at the borderlines
8. Chapter 1. Adaptation as salvage 15
9. Chapter 2. Adapting history 31
10. Chapter 3. Watching as data mining 57
11. Chapter 4. Adaptation as city branding 71
12. Chapter 5. The post-nostalgia film 87
13. Part II. Adaptation and transculturation
14. Chapter 6. A spectrum of operatic adaptations 107
15. Chapter 7. “Such a transformation!” Shakespeare remade 125
16. Chapter 8. Indian Fakespeare 141
17. Chapter 9. Transculturating Shakespeare 159
18. Part III. Adaptation at the contact zone
19. Chapter 10. Relocation as adaptation in An African City 179
20. Chapter 11. The practice of adaptation in the Turkish Republic 197
21. Chapter 12. The limits of Orientalism 211
22. Chapter 13. Mexican Cinema in the Buffyverse 229
23. Chapter 14. Fresh Off the Boat 245
24. Part IV. Adaptation and intersections
25. Chapter 15. A brief history of the Association of Adaptation Studies 259
26. Chapter 16. Adaptation as defense against film censorship 271
27. Chapter 17. Where is disability in adaptation studies? 287
28. Chapter 18. The new real 305
29. Part V. Adaptation as creative process
30. Chapter 19. From rainy Soho to sunny Kings Cross 323
31. Chapter 20. Where does the “meta” go in adapting children’s metafiction to the screen? 343
32. Chapter 21. The adaptation of “adaptation” in translation studies focusing on children’s literature 365
33. Chapter 22. Stories ad infinitum 381
34. Chapter 23. “A dream within a dream” 399
35. Chapter 24. Breaking walls 415
36. Index 427