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Where is Adaptation?

Mapping cultures, texts, and contexts
  • Edited by: Casie Hermansson and Janet Zepernick
Language: English
Published/Copyright: 2018
View more publications by John Benjamins Publishing Company

About this book

Where is Adaptation? Mapping cultures, texts, and contexts explores the vast terrain of contemporary adaptation studies and offers a wide variety of answers to the title question in 24 chapters by 29 international practitioners and scholars of adaptation, both eminent and emerging. From insightful self-analyses by practitioners (a novelist, a film director, a comics artist) to analyses of adaptations of place, culture, and identity, the authors brought together in this collection represent a broad cross-section of current work in adaptation studies. From the development of technologies impacting film festivals, to the symbiotic potential of interweaving disability and adaptation studies, censorship, exploring the “glocal,” and an examination of the Association for Adaptation Studies at its 10th anniversary, the original contributions in this volume aim to trace the leading edges of this evolving field.


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Why ask?
Casie Hermansson and Janet Zepernick
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1
Part I. Adaptation at the borderlines

Transcoding history into fiction in The Naturalist
Thom Conroy
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15

Queries and notes about nonfiction comics
Emi Gennis and Sandra Cox
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31

Seeing Person of Interest through the prism of adaptation
Thomas Van Parys
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57

The case of Dexter and Miami
Vanessa Herrmann
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71

Adapting West Yorkshire in British heritage and social realist film
Alexis Brown
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87
Part II. Adaptation and transculturation

Director’s Opera and audience expectations
Michael Hutcheon and Linda Hutcheon
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107

Sulayman Al-Bassam’s Richard III, an Arab Tragedy
Yusur Al-Madani
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125

The idea of Shakespeare in translation
Jim Casey
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141

Vishal Bhardwaj’s Mumbai Macbeth
Ana Cristina Mendes
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159
Part III. Adaptation at the contact zone

S. Olivia Donaldson
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179

Patriotic communities
Laurence Raw
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197

Relocating identity in two Arabian Nights
Jerod Ra’Del Hollyfield
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211

Toward an ethics of transnational adaptation and appropriation
David Dalton
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229

Meeting whose expectations?
Jiahong Wang
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245
Part IV. Adaptation and intersections

Deborah Cartmell, Jeremy Strong and Imelda Whelehan
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259

Pasolini’s Salò – 120 Days of Sodom in Italy and the UK
Valentina Signorelli
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271

Jamie McDaniel
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287

Virtual reality and adapting the film festival experience
Joi Tribble
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305
Part V. Adaptation as creative process

Remapping and contemporizing Joseph Conrad’s The Secret Agent
Jonathan Ogilvie
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323

The case of “A Series of Unfortunate Events”
Casie Hermansson
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343

Melissa Garavini
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365

Embedded narratives and challenges in adapting The Saragossa Manuscript
Jessy Neau
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381

The politics of dislocation in Head On and Picnic at Hanging Rock
Hila Shachar
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399

Theater of Cruelty and its adaptations in Jalila Baccar and Fadhel Jaïbi’s Violence(s)
Haythem Guesmi
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415

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427

Publishing information
Pages and Images/Illustrations in book
eBook published on:
September 25, 2018
eBook ISBN:
9789027263490
Pages and Images/Illustrations in book
Main content:
431
Downloaded on 8.9.2025 from https://www.degruyterbrill.com/document/doi/10.1075/fillm.9/html
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