2.2.2. Models for genetic criticism

Kapitel in diesem Buch

1. Prelim pages i
2. Table of contents v
3. Acknowledgements ix
4. List of figures xi
5. Introduction 1
6. Part 1. Text
7. 1.1. TEMPORAL COMPARISON 22
8. 1.1.1. Medieval holograph manuscripts 23
9. 1.1.2. Early modern holograph manuscripts 35
10. 1.1.3. The eighteenth century 47
11. 1.1.4. The nineteenth century 60
12. 1.1.5. The twentieth century 75
13. 1.1.6. The twenty-first century 87
14. 1.2. SPATIAL COMPARISON 99
15. 1.2.1. Nordic traditions 100
16. 1.2.2. Russian traditions 112
17. 1.2.3. Eastern European traditions 127
18. 1.2.4. Anglophone traditions 141
19. 1.2.5. German traditions 160
20. 1.2.6. French traditions 174
21. 1.2.7. Italian traditions 187
22. 1.2.8. Drafts on the Iberian Peninsula 202
23. 1.2.9. Postcolonial traditions 214
24. 1.3. PROCESSUAL COMPARISON 228
25. 1.3.1. Writer’s block 229
26. 1.3.2. Revision 241
27. 1.3.3. Translation archives 253
28. 1.4. GENERIC COMPARISON 268
29. 1.4.1. Poetry 269
30. 1.4.2. Drama 288
31. 1.4.3. Prose 305
32. 1.4.4. Kleine Prosa 320
33. 1.5. EDITORIAL COMPARISON 334
34. 1.5.1. Textual fluidity 335
35. 1.5.2. Pruning 353
36. 1.5.3. Orthography. <hie> rogue glyphics 365
37. 1.5.4. Punctuation 378
38. Part 2. Beyond text
39. 2.1. MATERIAL COMPARISON 392
40. 2.1.1. Paper 393
41. 2.1.2. Born-digital documents 410
42. 2.1.3. Archiving practices 417
43. 2.2. CONCEPTUAL COMPARISON 433
44. 2.2.1. Metaphors for the writing process 434
45. 2.2.2. Models for genetic criticism 450
46. 2.3. INTERMEDIAL COMPARISON 457
47. 2.3.1. Film 458
48. 2.3.2. Television 473
49. 2.3.3. Architecture 487
50. 2.3.4. Music 496
51. 2.3.5. Radio 514
52. Epilogue 527
53. Notes on contributors 531
54. Index 539