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Index

  • Gerald Gillespie
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Nonfictional Romantic Prose
This chapter is in the book Nonfictional Romantic Prose
© 2004 John Benjamins B.V. / Association Internationale de Littérature Comparée

© 2004 John Benjamins B.V. / Association Internationale de Littérature Comparée

Chapters in this book

  1. Prelim pages i
  2. Table of contents v
  3. Preface vii
  4. I. General Introduction 1
  5. II. Romantic Theoretical and Critical Writing 11
  6. Theories of Romanticism 13
  7. Romantic Disavowals of Romanticism, 1800–1830 37
  8. Hegel and Hegelianism in European Romanticism 57
  9. The Aesthetics of German Idealism and Its Reception in European Romanticism 69
  10. Romantic Theories of National Literature and Language in Germany, England, and France 97
  11. Sir Walter Scott and the Beginnings of Ethnology 107
  12. III. Expansions in Time 115
  13. Burke’s Conservatism and Its Echoes on the Continent and in the United States 117
  14. Distorted Echoes 141
  15. IV. Expansions in Space 163
  16. Romantic Travel Narratives 165
  17. Romanticism and Nonfictional Prose in Spanish America, 1780–1850 181
  18. V. Expansions of the Self 195
  19. Allegories of Address 197
  20. The Romantic Subject in Autobiography 223
  21. Educating for Women’s Future 241
  22. VI. Generic Expansions 265
  23. The Romantic Familiar Essay 267
  24. The Unending Conversation 285
  25. Almanacs and Romantic Non-fictional Prose 303
  26. The Romantic Pamphlet 317
  27. Costumbrismo in Spanish Literature and its European Analogues 333
  28. VII. Intersections: Scientific and Artistic Discourses in the Romantic Age 347
  29. Romanticism, the Unconscious, and the Brain 349
  30. Literary Sources of Romantic Psychology 365
  31. Romantic Discourse on the Visual Arts 377
  32. Aspects of German Romantic Musical Discourse 403
  33. VIII. Intimations of Transcendence 421
  34. Sacrality as Aesthetic in the Early Nineteenth Century 423
  35. The Myth of the Fallen Angel 433
  36. IX. Conclusion 459
  37. Index 467
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