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4 Invisible women
The role of women in punk fanzine creation
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Cazz Blasé
Abstract
This chapter explores the important roles played by women in the development of punk-related and fanzines cultures. It focuses on women fanzines producers and writers, suggesting that fanzines provided space for female voices to heard and female perspectives presented.
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Abstract
This chapter explores the important roles played by women in the development of punk-related and fanzines cultures. It focuses on women fanzines producers and writers, suggesting that fanzines provided space for female voices to heard and female perspectives presented.
You are currently not able to access this content.
Chapters in this book
- Front matter i
- Contents v
- List of figures viii
- List of contributors ix
- Foreword xiv
- Acknowledgements xvi
- Introduction 1
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I: Going underground: process and place
- 1 Doing it ourselves 15
- 2 Zines and history: zines as history 39
- 3 Whose culture? 55
- 4 Invisible women 72
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II: Communiqués and Sellotape: constructing cultures
- 5 ‘Pam ponders Paul Morley’s cat’ 91
- 6 Goth zines 110
- 7 The evolution of an anarcho-punk narrative, 1978–84 129
- 8 ‘Don’t do as you’re told, do as you think’ 150
- 9 Are you scared to get punky? 170
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III: Memos from the frontline: locating the source
- 10 Vague post-punk memoirs, 1979–89 191
- 11 ‘Mental liberation issue’ 201
- 12 From Year Zero to 1984 214
- 13 Kick 226
- 14 ‘This is aimed as much at us as at you’ 236
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IV: Global communications: continuities and distinctions
- 15 Punking the bibliography 245
- 16 Punks against censorship 264
- 17 Contradictory self-definition and organisation 281
- 18 ‘Angry grrrl zines’ 295
- Index 317
Chapters in this book
- Front matter i
- Contents v
- List of figures viii
- List of contributors ix
- Foreword xiv
- Acknowledgements xvi
- Introduction 1
-
I: Going underground: process and place
- 1 Doing it ourselves 15
- 2 Zines and history: zines as history 39
- 3 Whose culture? 55
- 4 Invisible women 72
-
II: Communiqués and Sellotape: constructing cultures
- 5 ‘Pam ponders Paul Morley’s cat’ 91
- 6 Goth zines 110
- 7 The evolution of an anarcho-punk narrative, 1978–84 129
- 8 ‘Don’t do as you’re told, do as you think’ 150
- 9 Are you scared to get punky? 170
-
III: Memos from the frontline: locating the source
- 10 Vague post-punk memoirs, 1979–89 191
- 11 ‘Mental liberation issue’ 201
- 12 From Year Zero to 1984 214
- 13 Kick 226
- 14 ‘This is aimed as much at us as at you’ 236
-
IV: Global communications: continuities and distinctions
- 15 Punking the bibliography 245
- 16 Punks against censorship 264
- 17 Contradictory self-definition and organisation 281
- 18 ‘Angry grrrl zines’ 295
- Index 317
