Book
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Unlicensed
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Ripped, torn and cut
Pop, politics and punk fanzines from 1976
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Edited by:
Subcultures Network
Language:
English
Published/Copyright:
2018
About this book
Ripped, torn and cut offers a collection of original essays exploring the motivations behind – and the politics within – the multitude of fanzines that emerged in the wake of British punk from 1976.
Reviews
‘In Ripped, Torn and Cut, The Subcultures Network provides ample evidence that fanzines can and should be taken seriously. The book will be of significance to any historian working on British youth culture, but there is plenty to interest historians working on cultural theory, ageing, personal testimony, publishing and networks. It forms an important and welcome intervention into the history of British youth culture.’
Sarah Kenny, University of Birmingham, Sheffield, Contemporary British History, January 2019
Sarah Kenny, University of Birmingham, Sheffield, Contemporary British History, January 2019
Topics
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Adventures in reality: why (punk) fanzines matter Matthew Worley, Keith Gildart, Anna Gough-Yates, Sian Lincoln and Bill Osgerby Requires Authentication Unlicensed Licensed |
1 |
I: Going underground: process and place
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Countercultural and alternative radical publishing in the decade before punk Jess Baines, Tony Credland and Mark Pawson Requires Authentication Unlicensed Licensed |
15 |
Lucy Robinson Requires Authentication Unlicensed Licensed |
39 |
Fanzines, politics and agency Matthew Worley Requires Authentication Unlicensed Licensed |
55 |
The role of women in punk fanzine creation Cazz Blasé Requires Authentication Unlicensed Licensed |
72 |
II: Communiqués and Sellotape: constructing cultures
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City Fun and the politics of post-punk David Wilkinson Requires Authentication Unlicensed Licensed |
91 |
Writing from the dark underground, 1976–92 Claire Nally Requires Authentication Unlicensed Licensed |
110 |
Russ Bestley and Rebecca Binns Requires Authentication Unlicensed Licensed |
129 |
The transgressive zine culture of industrial music in the 1970s and 1980s Benjamin Bland Requires Authentication Unlicensed Licensed |
150 |
Indie pop, fanzines and punk rock Pete Dales Requires Authentication Unlicensed Licensed |
170 |
III: Memos from the frontline: locating the source
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Tom Vague Requires Authentication Unlicensed Licensed |
191 |
Toxic Grafity’s punk epiphany as subjectivity (re)storying ‘the truth of revolution’ across the lifespan Mike Diboll Requires Authentication Unlicensed Licensed |
201 |
I was a pre-teen fanzine writer Nicholas Bullen Requires Authentication Unlicensed Licensed |
214 |
Positive punk Richard Cabut Requires Authentication Unlicensed Licensed |
226 |
My life in fanzines Clare Wadd Requires Authentication Unlicensed Licensed |
236 |
IV: Global communications: continuities and distinctions
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RE/Search Publications, the bookshelf question and ideational flow S. Alexander Reed Requires Authentication Unlicensed Licensed |
245 |
Negotiating acceptable politics in the Dutch fanzine Raket Kirsty Lohman Requires Authentication Unlicensed Licensed |
264 |
The punk scene in Munich, 1979–82 Karl Siebengartner Requires Authentication Unlicensed Licensed |
281 |
Riot grrrl and body politics from the early 1990s Laura Cofield Requires Authentication Unlicensed Licensed |
295 |
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317 |
Publishing information
Pages and Images/Illustrations in book
eBook published on:
July 10, 2018
eBook ISBN:
9781526120601
Pages and Images/Illustrations in book
Other:
21 black & white illustrations
eBook ISBN:
9781526120601
Audience(s) for this book
College/higher education;Professional and scholarly;General/trade;