Theatrical fictional worlds, counterfactuals, and scientific thought experiments
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Irit Degani-Raz
Abstract
It is commonly accepted that theatrical fictional worlds could serve as a potent tool for increasing man’s understanding of his own world. This research connects insights that have been developed in such diverse areas of thought as semiotics of theater and drama, philosophical logic and ontology, epistemology, and philosophy of science, so as to establish a model that suggests an explication of this epistemic effect and thereby a new observation of the theatrical enterprise. The theory advanced in this study states that fictional worlds are a kind of thought experiment through which spectators’ theories about their own world may be tested, amended or even invented.
Walter de Gruyter GmbH & Co. KG
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Articles in the same Issue
- Semiotic systems of works of visual art: Signs, connotations, signals
- Art — depression — fiction: A variation on René Thom’s three important kinds of human activity
- Formes narratives de l’action et dangers de dérives en narratologie
- Crossing borders: Towards a cognitive aesthetic approach to Caravaggio and Beckett
- Iconicity, Ratosh’s lexical innovations, and beyond
- What you should know to survive in knowledge societies: On a semiotic understanding of ‘knowledge’
- Vers une théorie générale de la fiction
- Back to ‘cinema is filmed theatre’
- The dimensionality of notation
- Learning by abduction: A geometrical interpretation
- Political representation within the libidinal economy of a pictorial space: A political-semiotic reading of three propaganda posters of the Chinese Cultural Revolution
- The semiotic stance
- A semiotic study on the Transworld Skateboarding magazine
- Serial form as entertainment and interpretative framework: Probability and the ‘black box’ of past experience
- It took Spinoza and structuralism to teach Deleuze that meaning is not necessarily attributed to the cinematic sign
- Making sense of the visual — is Google the seventh language?
- Theatrical fictional worlds, counterfactuals, and scientific thought experiments
- PTSD: A situated look at the semiotic process and role of individual umwelts in human existence/function
- The semiotics of intercultural exchange: Ostensive definition and digital reason
- De l’esprit, de la culture, et des signes
- Le statut de la pulsion dans la sémiotique narrative morphodynamique
- Une typologie des relations
- Biology, semiotics, complexity: An experiment in interdisciplinarity
- Sign values in processes of distinction: The concept of luxury
- Analyse sémiotique de la webpublicite
- On signing translation
- Giambattista Vico’s open agenda of modernity