Home Classical, Ancient Near Eastern & Egyptian Studies “(In)Human, All Too (In)Human”: Ovid’s Tereus and the Vulnerable Body
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“(In)Human, All Too (In)Human”: Ovid’s Tereus and the Vulnerable Body

  • Miriam Kamil

    Miriam Kamil is Visiting Assistant Professor at Bryn Mawr College in Pennsylvania. Her research examines Ovidian poetics through the lenses of intertextuality, gender and sexuality, and theories of emotion. Recent publications include an article applying trauma theory to Ovid’s tales of rape in TAPA. She is also concerned with classical reception, with a forthcoming book chapter on references to Sappho in the writing of Virginia Woolf. Her book Queer and Deviant Classics, an exploration of uses of antiquity in socially progressive movements of the twentieth century, is under contract with University of California Press.

    and Simona Martorana

    Simona Martorana is Lecturer in Classics at the Australian National University. Her main research focus on Latin verse combines philological rigour in attention to the detail of the texts with contemporary theoretical and interdisciplinary approaches to antiquity (gender; posthumanism; environmental and medical humanities; legal theory). Her publications include a monograph on Ovid’s Heroides (Seeking the Mothers in Ovid’s Heroides, Cornell UP, 2024), a critical edition of a collection of Medieval fables (Il Romulus della Recensio Gallicana, Sismel, 2024), as well as a number of articles and book chapters focusing mainly on Latin authors from the late-republican and early imperial age.

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Tereus Through the Ages
This chapter is in the book Tereus Through the Ages

Abstract

This chapter focuses on the Ovidian depiction of the myth of Tereus. Building on anthropological and feminist approaches to incest, rape, and anthropophagy, the authors use Charles Segal’s reading of Tereus as a “metamorphic body” to investigate the story’s dynamics of perpetual change that culminate in the dissolution of corporeal boundaries. This re-examination of Tereus’ narrative demonstrates that Tereus’ moral “inhumanity” is revealed poetically by a progressive splintering of his identity, correlated to the instability of his body and gender.

Abstract

This chapter focuses on the Ovidian depiction of the myth of Tereus. Building on anthropological and feminist approaches to incest, rape, and anthropophagy, the authors use Charles Segal’s reading of Tereus as a “metamorphic body” to investigate the story’s dynamics of perpetual change that culminate in the dissolution of corporeal boundaries. This re-examination of Tereus’ narrative demonstrates that Tereus’ moral “inhumanity” is revealed poetically by a progressive splintering of his identity, correlated to the instability of his body and gender.

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