Home Literary Studies Iceland’s Lack of Printer’s Devices: Filling a Functional and Spatial Void in Printed Books during the Sixteenth Century
Chapter
Licensed
Unlicensed Requires Authentication

Iceland’s Lack of Printer’s Devices: Filling a Functional and Spatial Void in Printed Books during the Sixteenth Century

  • Silvia Hufnagel
Become an author with De Gruyter Brill
Typographorum Emblemata
This chapter is in the book Typographorum Emblemata
© 2018 Walter de Gruyter GmbH, Berlin/Munich/Boston

© 2018 Walter de Gruyter GmbH, Berlin/Munich/Boston

Chapters in this book

  1. Frontmatter I
  2. Contents V
  3. Preface VII
  4. Part A: Beginnings and Provenances
  5. Sisters, or Mother and Daughter? The Relationship between Printer’s Marks and Emblems during the First Hundred Years 3
  6. Ekphrasis and Printer’s Signets 29
  7. Beastly Devices: Early Printer’s Marks and Their Medieval Origins 49
  8. From Nameplate to Emblem. The Evolution of the Printer’s Device in the Southern Low Countries up to 1600 77
  9. Part B: Regions & Places
  10. Heraldic and Symbolic Printer’s Devices of Greek Printers in Italy (Fifteenth and Sixteenth Centuries) 103
  11. Jewish Printers’ Marks from Poland (Sixteenth-Seventeenth Centuries) 125
  12. Fama Typographica. In Search of the Emblem Form of Printer’s Devices. The Iconography and Emblem Form of Printer’s Devices in Sixteenth- and Seventeenth-Century Poland 151
  13. Pallas Nostra Salus. Early Modern Printer’s Marks in Leiden as Expressions of Professional and Personal Identity 169
  14. Early Modern Munich Printer’s Marks (and Related Issues) 197
  15. The Printer’s Mark in Early Modern Sweden 227
  16. Iceland’s Lack of Printer’s Devices: Filling a Functional and Spatial Void in Printed Books during the Sixteenth Century 257
  17. Part C: Concepts, Historical and Systematic
  18. The Truth of Printer’s Marks: Andrea Alciato on “Aldo’s Anchor”, “Froben’s Dove” and “Calvo’s Elephant”. A Closer Look at Alciato’s Concept of the Printer’s Mark 269
  19. The Legal Significance and Humanist Ethos of Printers’ Insignia 297
  20. The Transition of the Printer’s Device from a Sign of Identification to a Symbol of Aspirations and Beliefs 315
  21. Mottos in Printers’ Devices – Thoughts about the Hungarian Usage 333
  22. European Printers’ and Publishers’ Marks in the Eighteenth Century. The Three C’s: Conformity, Continuity and Change 347
  23. In Place of an Afterword: Notes on Ordering the Corpus of the Early Modern Printer’s Mark 361
  24. Part D: Research Bibliography and Index
  25. Research Bibliography: The Early Modern Printer’s Mark in Its Cultural Contexts 377
  26. Contributors 413
  27. Index 417
Downloaded on 31.10.2025 from https://www.degruyterbrill.com/document/doi/10.1515/9783110430271-011/html
Scroll to top button