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chapter 15 “Speak Easy”: Black in the 1970s
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Stuart Hall
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Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments xi
- Introduction 1
- Prologue 19
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PART I THINKING-WITH/ IN THE IMAGE
- chapter 1 Isaac Julien’s Workshop 29
- chapter 2 Democracy, Globalization, and Difference 39
- chapter 3 The Way We Live Now 55
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PART II THE NEW POLITICS OF REPRESENTATION Black Film/British Cinema
- chapter 4 New Ethnicities 63
- chapter 5 Threatening Pleasures: A Conversation between Homi Bhabha, Paul Gilroy, and Stuart Hall 77
- chapter 6 A Rage in Harlesden 86
- chapter 7 Cultural Identity and Cinematic Representation 93
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PART III FANON, CREOLIZATION, AND DIASPORA
- chapter 8 The After-Life of Frantz Fanon: Why Fanon? Why Now? Why Black Skin, White Masks? 109
- chapter 9 Créolité and the Process of Creolization 132
- chapter 10 Legacies of Anglo-Caribbean Culture: A Diasporic Perspective 148
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PART IV ASSEMBLING THE 1980S
- chapter 11 Minimal Selves 171
- chapter 12 Assembling the 1980s: The Deluge—and After 180
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PART V PHOTOGRAPHY, REPRESENTATION, AND BLACK IDENTITY
- chapter 13 The Vertigo of Displacement: Shifts within Black Documentary Practices 201
- chapter 14 Preface to Different 213
- chapter 15 “Speak Easy”: Black in the 1970s 223
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PART VI RECONSTRUCTION WORK
- chapter 16 Reconstruction Work: Images of Post-war Black Settlement 239
- chapter 17 The “West Indian” Front Room 250
- chapter 18 Constituting an Archive 260
- chapter 19 Whose Heritage? Unsettling “The Heritage,” Reimagining the Post-Nation 268
- chapter 20 Modernity and Its Others: Three “Moments” in the Post-war History of the Black Diaspora Arts 283
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PART VII MUSEUMS, MODERNITY, AND DIFFERENCE
- chapter 21 Museums of Modern Art and the End of History 307
- chapter 22 Modernity and Difference: A Conversation between Stuart Hall and Sarat Maharaj 322
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PART VIII DREAMING IN AFRO
- chapter 23 Chris Ofili in Paradise: Dreaming in Afro 339
- chapter 24 Maps of Emergency: Fault Lines and Tectonic Plates 349
- Index 367
- Place of First Publication 379
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments xi
- Introduction 1
- Prologue 19
-
PART I THINKING-WITH/ IN THE IMAGE
- chapter 1 Isaac Julien’s Workshop 29
- chapter 2 Democracy, Globalization, and Difference 39
- chapter 3 The Way We Live Now 55
-
PART II THE NEW POLITICS OF REPRESENTATION Black Film/British Cinema
- chapter 4 New Ethnicities 63
- chapter 5 Threatening Pleasures: A Conversation between Homi Bhabha, Paul Gilroy, and Stuart Hall 77
- chapter 6 A Rage in Harlesden 86
- chapter 7 Cultural Identity and Cinematic Representation 93
-
PART III FANON, CREOLIZATION, AND DIASPORA
- chapter 8 The After-Life of Frantz Fanon: Why Fanon? Why Now? Why Black Skin, White Masks? 109
- chapter 9 Créolité and the Process of Creolization 132
- chapter 10 Legacies of Anglo-Caribbean Culture: A Diasporic Perspective 148
-
PART IV ASSEMBLING THE 1980S
- chapter 11 Minimal Selves 171
- chapter 12 Assembling the 1980s: The Deluge—and After 180
-
PART V PHOTOGRAPHY, REPRESENTATION, AND BLACK IDENTITY
- chapter 13 The Vertigo of Displacement: Shifts within Black Documentary Practices 201
- chapter 14 Preface to Different 213
- chapter 15 “Speak Easy”: Black in the 1970s 223
-
PART VI RECONSTRUCTION WORK
- chapter 16 Reconstruction Work: Images of Post-war Black Settlement 239
- chapter 17 The “West Indian” Front Room 250
- chapter 18 Constituting an Archive 260
- chapter 19 Whose Heritage? Unsettling “The Heritage,” Reimagining the Post-Nation 268
- chapter 20 Modernity and Its Others: Three “Moments” in the Post-war History of the Black Diaspora Arts 283
-
PART VII MUSEUMS, MODERNITY, AND DIFFERENCE
- chapter 21 Museums of Modern Art and the End of History 307
- chapter 22 Modernity and Difference: A Conversation between Stuart Hall and Sarat Maharaj 322
-
PART VIII DREAMING IN AFRO
- chapter 23 Chris Ofili in Paradise: Dreaming in Afro 339
- chapter 24 Maps of Emergency: Fault Lines and Tectonic Plates 349
- Index 367
- Place of First Publication 379