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Chapter 2 Silence, Secrecy and Sexuality: ‘Alternate
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David Brauner
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Chapters in this book
- Frontmatter i
- Contents v
- Series Preface vii
- Acknowledgements ix
- Chronology xi
- Introduction 1
- Chapter 1 ‘The space reserved for irony’: Irony and Paradox in Don DeLillo’s White Noise, Paul Auster’s City of Glass and Bret Easton Ellis’s American Psycho 18
- Chapter 2 Silence, Secrecy and Sexuality: ‘Alternate 61
- Chapter 3 ‘Nes and Yo’: Race, Ethnicity and Hybridity in Gish Jen’s Mona in the Promised Land, Philip Roth’s The Human Stain and Richard Powers’ 107
- Chapter 4 Contemporary American Fiction Goes to Hollywood: Genre in the Texts and Films of Cold Mountain, Brokeback Mountain and No Country for Old Men 158
- Conclusion 206
- Student Resources 211
- Index 231
Chapters in this book
- Frontmatter i
- Contents v
- Series Preface vii
- Acknowledgements ix
- Chronology xi
- Introduction 1
- Chapter 1 ‘The space reserved for irony’: Irony and Paradox in Don DeLillo’s White Noise, Paul Auster’s City of Glass and Bret Easton Ellis’s American Psycho 18
- Chapter 2 Silence, Secrecy and Sexuality: ‘Alternate 61
- Chapter 3 ‘Nes and Yo’: Race, Ethnicity and Hybridity in Gish Jen’s Mona in the Promised Land, Philip Roth’s The Human Stain and Richard Powers’ 107
- Chapter 4 Contemporary American Fiction Goes to Hollywood: Genre in the Texts and Films of Cold Mountain, Brokeback Mountain and No Country for Old Men 158
- Conclusion 206
- Student Resources 211
- Index 231