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Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Foreword vii
- Preface ix
- Acknowledgments xii
- Introduction. Writing History: Reflections on the Story of Midcentury Modern Architecture 1
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PART I. MODERNISM AND THE STATE
- Introduction 8
- 1. Bucharest: Th e City Transfigured 11
- 2. The Scope of Socialist Modernism: Architecture and State Representation in Postwar Yugoslavia 37
- 3. Czechoslovakia’s Model Housing Developments: Modern Architecture for the Socialist Future 66
- 4. Sanctioning Modernism and Tradition: Italian Architecture, the Vernacular, and the State 90
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PART II. MAKING RELIGION MODERN
- Introduction 109
- 5. Uncertainty and the Modern Church: Two Roman Catholic Cathedrals in Britain 113
- 6. “Humanly sublime tensions”: Luigi Moretti’s Chiesa del Concilio (1965–1970) 139
- 7. Modernism and the Concept of Reform: Liturgy and Liturgical Architecture 168
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PART III: MODERNISM AND DOMESTICITY
- Introduction 182
- 8. “Technologically” Modern: Th e Prefabricated House and the Wartime Experience of Skidmore, Owings and Merrill 186
- 9. “Modern but not too modern”: House Beautiful and the American Style 219
- 10. House and Haunted Garden 244
- Further Reading 269
- Contributors 274
- Index 277
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Foreword vii
- Preface ix
- Acknowledgments xii
- Introduction. Writing History: Reflections on the Story of Midcentury Modern Architecture 1
-
PART I. MODERNISM AND THE STATE
- Introduction 8
- 1. Bucharest: Th e City Transfigured 11
- 2. The Scope of Socialist Modernism: Architecture and State Representation in Postwar Yugoslavia 37
- 3. Czechoslovakia’s Model Housing Developments: Modern Architecture for the Socialist Future 66
- 4. Sanctioning Modernism and Tradition: Italian Architecture, the Vernacular, and the State 90
-
PART II. MAKING RELIGION MODERN
- Introduction 109
- 5. Uncertainty and the Modern Church: Two Roman Catholic Cathedrals in Britain 113
- 6. “Humanly sublime tensions”: Luigi Moretti’s Chiesa del Concilio (1965–1970) 139
- 7. Modernism and the Concept of Reform: Liturgy and Liturgical Architecture 168
-
PART III: MODERNISM AND DOMESTICITY
- Introduction 182
- 8. “Technologically” Modern: Th e Prefabricated House and the Wartime Experience of Skidmore, Owings and Merrill 186
- 9. “Modern but not too modern”: House Beautiful and the American Style 219
- 10. House and Haunted Garden 244
- Further Reading 269
- Contributors 274
- Index 277