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Charles Ramírez Berg

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Charles Ramírez Berg

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Ein Kapitel aus dem Buch The Classical Mexican Cinema

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Berg, Charles Ramírez. "Frontmatter". The Classical Mexican Cinema: The Poetics of the Exceptional Golden Age Films, New York, USA: University of Texas Press, 2015, pp. i-vi. https://doi.org/10.7560/302514-fm

Berg, C. (2015). Frontmatter. In The Classical Mexican Cinema: The Poetics of the Exceptional Golden Age Films (pp. i-vi). New York, USA: University of Texas Press. https://doi.org/10.7560/302514-fm

Berg, C. 2015. Frontmatter. The Classical Mexican Cinema: The Poetics of the Exceptional Golden Age Films. New York, USA: University of Texas Press, pp. i-vi. https://doi.org/10.7560/302514-fm

Berg, Charles Ramírez. "Frontmatter" In The Classical Mexican Cinema: The Poetics of the Exceptional Golden Age Films, i-vi. New York, USA: University of Texas Press, 2015. https://doi.org/10.7560/302514-fm

Berg C. Frontmatter. In: The Classical Mexican Cinema: The Poetics of the Exceptional Golden Age Films. New York, USA: University of Texas Press; 2015. p.i-vi. https://doi.org/10.7560/302514-fm

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Frontmatter i
Contents vii
Acknowledgments ix
Chapter 1. Introduction: Retheorizing Mexican Film History 1
Chapter 2. Every Picture Tells a Story: José Guadalupe Posada’s Protocinematic Graphic Art 13
Chapter 3. Enrique Rosas’s El automóvil gris (1919) and the Dawning of Modern Mexican Cinema 33
Chapter 4. The Adoption of the Hollywood Style and the Transition to Sound 53
Chapter 5. Mexican Cinema Comes of Age: Fernando de Fuentes in the 1930s 63
Chapter 6. The Cinematic Invention of Mexico: The Poetics and Politics of the Fernández Unit Style 91
Chapter 7. Luis Buñuel in Mexico 133
Chapter 8. Three Classical Mexican Cinema Genre Films 173
Chapter 9. Conclusion: What Happened to the Classical Mexican Cinema? 201
Notes 207
Index 225

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https://doi.org/10.7560/302514-fm

Kapitel in diesem Buch

Frontmatter i
Contents vii
Acknowledgments ix
Chapter 1. Introduction: Retheorizing Mexican Film History 1
Chapter 2. Every Picture Tells a Story: José Guadalupe Posada’s Protocinematic Graphic Art 13
Chapter 3. Enrique Rosas’s El automóvil gris (1919) and the Dawning of Modern Mexican Cinema 33
Chapter 4. The Adoption of the Hollywood Style and the Transition to Sound 53
Chapter 5. Mexican Cinema Comes of Age: Fernando de Fuentes in the 1930s 63
Chapter 6. The Cinematic Invention of Mexico: The Poetics and Politics of the Fernández Unit Style 91
Chapter 7. Luis Buñuel in Mexico 133
Chapter 8. Three Classical Mexican Cinema Genre Films 173
Chapter 9. Conclusion: What Happened to the Classical Mexican Cinema? 201
Notes 207
Index 225

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