Chapter 5. Mexican Cinema Comes of Age: Fernando de Fuentes in the 1930s

Charles Ramírez Berg

Startseite Kunst Chapter 5. Mexican Cinema Comes of Age: Fernando de Fuentes in the 1930s

Kapitel

Lizenziert

Nicht lizenziert Erfordert eine Authentifizierung

Chapter 5. Mexican Cinema Comes of Age: Fernando de Fuentes in the 1930s

Charles Ramírez Berg

Veröffentlicht von

Weitere Titel anzeigen von University of Texas Press

Zur Verlagsseite

Ein Kapitel aus dem Buch The Classical Mexican Cinema

MLA
APA
Harvard
Chicago
Vancouver

MLA
APA
Harvard
Chicago
Vancouver

Berg, Charles Ramírez. "Chapter 5. Mexican Cinema Comes of Age: Fernando de Fuentes in the 1930s". The Classical Mexican Cinema: The Poetics of the Exceptional Golden Age Films, New York, USA: University of Texas Press, 2015, pp. 63-90. https://doi.org/10.7560/302514-006

Berg, C. (2015). Chapter 5. Mexican Cinema Comes of Age: Fernando de Fuentes in the 1930s. In The Classical Mexican Cinema: The Poetics of the Exceptional Golden Age Films (pp. 63-90). New York, USA: University of Texas Press. https://doi.org/10.7560/302514-006

Berg, C. 2015. Chapter 5. Mexican Cinema Comes of Age: Fernando de Fuentes in the 1930s. The Classical Mexican Cinema: The Poetics of the Exceptional Golden Age Films. New York, USA: University of Texas Press, pp. 63-90. https://doi.org/10.7560/302514-006

Berg, Charles Ramírez. "Chapter 5. Mexican Cinema Comes of Age: Fernando de Fuentes in the 1930s" In The Classical Mexican Cinema: The Poetics of the Exceptional Golden Age Films, 63-90. New York, USA: University of Texas Press, 2015. https://doi.org/10.7560/302514-006

Berg C. Chapter 5. Mexican Cinema Comes of Age: Fernando de Fuentes in the 1930s. In: The Classical Mexican Cinema: The Poetics of the Exceptional Golden Age Films. New York, USA: University of Texas Press; 2015. p.63-90. https://doi.org/10.7560/302514-006

Kopie

In die Zwischenablage kopiert

BibTeX EndNote RIS

Sie haben derzeit keinen Zugang zu diesem Inhalt.

Kapitel in diesem Buch

Frontmatter i
Contents vii
Acknowledgments ix
Chapter 1. Introduction: Retheorizing Mexican Film History 1
Chapter 2. Every Picture Tells a Story: José Guadalupe Posada’s Protocinematic Graphic Art 13
Chapter 3. Enrique Rosas’s El automóvil gris (1919) and the Dawning of Modern Mexican Cinema 33
Chapter 4. The Adoption of the Hollywood Style and the Transition to Sound 53
Chapter 5. Mexican Cinema Comes of Age: Fernando de Fuentes in the 1930s 63
Chapter 6. The Cinematic Invention of Mexico: The Poetics and Politics of the Fernández Unit Style 91
Chapter 7. Luis Buñuel in Mexico 133
Chapter 8. Three Classical Mexican Cinema Genre Films 173
Chapter 9. Conclusion: What Happened to the Classical Mexican Cinema? 201
Notes 207
Index 225

Buch durchsuchen In diesem Buch suchen

https://doi.org/10.7560/302514-006

Kapitel in diesem Buch

Frontmatter i
Contents vii
Acknowledgments ix
Chapter 1. Introduction: Retheorizing Mexican Film History 1
Chapter 2. Every Picture Tells a Story: José Guadalupe Posada’s Protocinematic Graphic Art 13
Chapter 3. Enrique Rosas’s El automóvil gris (1919) and the Dawning of Modern Mexican Cinema 33
Chapter 4. The Adoption of the Hollywood Style and the Transition to Sound 53
Chapter 5. Mexican Cinema Comes of Age: Fernando de Fuentes in the 1930s 63
Chapter 6. The Cinematic Invention of Mexico: The Poetics and Politics of the Fernández Unit Style 91
Chapter 7. Luis Buñuel in Mexico 133
Chapter 8. Three Classical Mexican Cinema Genre Films 173
Chapter 9. Conclusion: What Happened to the Classical Mexican Cinema? 201
Notes 207
Index 225

Chapter 5. Mexican Cinema Comes of Age: Fernando de Fuentes in the 1930s

Kapitel PDF Ansicht

Kapitel in diesem Buch

Kapitel in diesem Buch

Kapitel in diesem Buch